Pet Photography by Ellie Pitkowsky ’18

Enjoy this pet photography by Ellie Pitkowsky ’18 of her dog “Rosie.”

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Dance Photography Film NYC Collaboration

The Dance, Photography & Film classes, led by Ms. Luxenberg, Mr. Worrell and Mr. Yow, collaborated on an annual New York City adventure inspired by the work of photographer Jordan Matter, whose books include DANCERS AMONG US. This year’s trip included a visit from Jordan Matter himself.

Enjoy these wonderful images by NA photographers of NA dancers. A complete portfolio of images from the trip can be found here. Scroll down for behind the scenes shots of the trip.

Jada Smith ’18 by Pierce Henderson ’19

“After eight years of doing a collaborative NYC field trip with photography, film and dance students based on the work of photographer Jordan Matter, the man himself got wind of our trip and stopped by. He was super passionate and just as crazy as he is in his videos–he’ll do anything to get a great shot! His New York Times bestselling book, “Dancers Among Us,” is all about dancers interacting in the world, telling stories through amazing movements and feats of athleticism, flexibility, and artistry. He said he’d work with us for a few minutes, but ended up leading the dancers and photography students for over an hour!”   ~ Yvette Luxenberg, Dance Director

Neha Rodricks ’20 by Kayla Cohen ’21

“I loved the idea of this field trip so enthusiastically that I started getting the kids ready from day one. I researched Jordan Matter’s work, and found it to be wonderful and full of energy, humor and technical mastery. I happen to know another amazing dance photographer, the husband and wife team of Ken Browar and Deborah Ory, the NYC Dance Project, and told them about the field trip. Apparently they are good friends with Jordan and before I knew it Jordan was calling to ask if he could work with the kids. I said yes of course, not sure he would show up, as this was literally the day before the trip. He not only showed up but spent over an hour workshopping three scenarios with the students. This experience gave the kids the opportunity to practice specific aspects of photography in a unique setting while collaborating with others. A win-win! I’m grateful to Jordan Matter for his time and to Ms. Luxenberg for masterminding the trip.” ~ Mr. Worrell, Photography & Digital Arts Faculty

Erica Edman ’21 by Jacqueline Rodriguez ’21

Gianna Porcek ’20 by Ian Agkpo ’21

Jordan Matter working with students. Photo by James Worrell

Jordan Matter organizing a shot. Photo by James Worrell

Jordan Matter working with students. Photo by James Worrell

Fall 2017 Digital Photography Class. Photo by James Worrell

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“Brodie” pet photography by Elaina Kwiatkowski ’18

Enjoy this pet photography by Elaina Kwiatkowski ’18.

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Violin Concerto by Rebecca Slater ’18

Violinist Rebecca Slater ’18  won an audition to Concertmaster in the All Eastern Orchestra. With the highest score among musicians from 11 states, she was First Chair when performing with this elite Orchestra in April in Atlantic City. Previously she was accepted into the 2017 New Jersey All State High School Orchestra and served as Concertmaster. Rebecca was also one of three Upper School violinists accepted into the New Jersey Music Educators Association All-State Orchestra. To qualify for the All-State audition, she had to audition for, be accepted into, and perform with the North Jersey Regional Orchestra.

This month Rebecca, along with Sophia Chen ’20, performed at Boardwalk Hall in Atlantic City during the NJEA Convention as well as at the New Jersey Performing Arts Center in Newark. This prestigious ensemble was comprised of New Jersey’s top high school musicians.

Here Rebecca performs Violin Concerto in A Minor, Op. 35 Mvt. 1 by Dvorak.

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Oil painting by Shannon Peters

“Straight outta Cubed,” an oil painting by IB visual artist Shannon Peters ’17, was accepted into the juried Fresh Perspectives exhibit at the Morris Museum. This exhibit, featuring selected works of art from New Jersey high school students, was on display from April 7 to June 4, 2017. Selection for this exhibit was extremely competitive. Fifty works of art were chosen from approximately 450 submissions.Shannon Peters

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WAM Blog Montage

Newark Academy’s Writing, Art & Music blog, WAM, invites  students, alumni, teachers and staff to share creative work on a common platform with the goal of supporting and encouraging one another’s artistic pursuits, large and small. This 10-minute montage offers a glimpse of some of the hundreds of posts shared to date. The written work in this video will flash by too quickly to read, but will give an impression of what the blog offers. Also included are musical excerpts, artwork, and two mini-films. Enjoy!

https://youtu.be/bWdpevLVQio

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Dance & Film Class Collaboration with Jordan Matter

“After 8 years of doing a collaborative NYC field trip with photo and film students based on the work of photographer Jordan Matter, the man himself got wind of our trip and told us he’d stop by. We didn’t think he’d really show up, but he did! He was super passionate and just as crazy as he is in his videos–he’ll do anything to get a great shot! His New York Times bestselling book, “Dancers Among Us,” is all about dancers interacting in the world, telling stories through amazing movements and feats of athleticism, flexibility, and artistry. He said he’d work with us for a few minutes, but ended up leading the dancers and photo students for almost an hour! Here are three shots he set up and captured. Erica Edman ’21 is in the fountain, Neha Rodricks ’20 is eating the ice cream and Gianna Porcek ’20 is with the police officer. Our student photographers got these shots too and many more terrific ones which you will see to kick off the dance concert in morning meeting on Friday, Nov 17th, and at night on Saturday, Nov 18th. Check back here for more photos and videos of the show after Thanksgiving break!” ~ Yvette Luxenberg, Dance Director

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“Seven Steps to Heaven” by Bala, Moretti, McGraw & Tolentino

Jazz Quartet Teddy McGraw

Teddy McGraw on Drums

Enjoy this fabulous rendition of “Seven Steps to Heaven” by Miles Davis and Victor Feldman performed by a jazz quartet of Newark Academy students Vikram Bala ’20 on bass, Teddy McGraw ’20 on drums, Luca Moretti ’20 on piano, and Jazz Director Julius Tolentino on alto saxophone– all in clear agreement with the Miles Davis adage: “For me, music and life are all about style.”

https://youtu.be/31ni1qP8CrM

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“Texts from Spain” fiction by Betsy Zaubler ’17

Photo by Sydney Zentz Unsplash.com

This story by Betsy Zaubler ’17  won the prose category of Susquehanna University’s 35th Annual High School Writing Competition and was featured in the Fall 2017 edition, Vol. 35 of THE APPRENTICE WRITERDr. Glen Retief, Director of the Writers Institute, selected the  piece and commented: “The dialogic form was innovative, and the underlying emotional story sneaks up on the reader.”

TEXTS FROM SPAIN by Betsy Zaubler ’17

Remember when you showed me Las Meninas for the first time? Well, I saw it today. I guess I didn’t need to tell you that, but I thought you’d want to know. Hope the internship is going well. Oh and this is Lucy. I got a Spanish number.

Delivered

I wish you could’ve seen Las Meninas. Pictures don’t do it justice. But anyways, I’m heading to Barcelona tomorrow, and I thought you’d want to know because you always told me you really wanted to go to Barcelona, so I’ll bring you back something, if you want. So yeah, text back. Or not, whatever works.

Delivered

I went to the Reina Sofia today but the Guernica was too crowded. So I waited in a cafe until the museum was about to close, and oh my God, Andrew. I’ve written hundreds of papers on it and I kept thinking about how we had that night class, and how Professor Grayson turned off the lights and it was so dark we couldn’t remember who was sitting next us. And then first all you could see was the white and then claws coming out of the door and then the faces. The faces.

Delivered

I was supposed to go to France today. I decided to stay in Spain.

Delivered Continue reading

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Subjunctive Lesson Set to “Despacito” by Alexis Romay

After being almost driven mad by the ubiquity of the song “Despacito,” I thought I’d do something useful with it, so I have adapted the lyrics to summarize the uses of the subjunctive mode in Spanish.

Given that Luis Fonsi’s catchy song is going to be in your head, you might as well take advantage of it and review a grammar concept. You don’t take Spanish? It doesn’t matter! Check it out! But don’t rush. Take your time. You can do it (what’s the word I’m looking for?)… despacito.    ~ Alexis Romay, Faculty

 

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Chromatography by Chemistry Club

This intriguing chromatography was created in a lab by members of the Chemistry Club, advised by Dr. Hobson. To make these wonderful pieces of art, the students used spinning paper chromatography in order to separate the components of an ink mixture from a water soluble pen. The students utilized a chromatography centrifuge device to separate the components rapidly. Chromatography is the process of separating out different parts of chemical mixtures onto an absorbent material that can then be individually analyzed because different parts are caught on the material at different rates. Leaders of Chemistry Club are Dean Tan ’18, Brady Sheaffer ’18 and Tyler Kung ’19. The student chemist-artists include Andrew Cen ’19, Aidan Mach ’21 and Brady Sheaffer.  Enjoy these unusual creations! Continue reading

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Coleman Hughes ’14 Jazz Trombone Performance

Alumnus Coleman Hughes ’14, all around musician, jazz trombonist, and former member of the Newark Academy Jazz Band Chameleon, has earned many accolades. He was a three-time participant in the GRAMMY Jazz Ensemble and the Monterey Next Generation Jazz Orchestra, both elite high school all-star bands. He won DownBeat Magazine’s High School Outstanding Soloist award, three consecutive Outstanding Soloist awards at the 2012-2014 Charles Mingus High School Competition, and a 2013 Best Student Arrangement Award as a member of the Jazz House Kids Big Band. At the Essentially Ellington Competitions at Lincoln Center in 2013 and 2014, Coleman additionally won the Ella Fitzgerald Award for the overall Outstanding Soloist each year. Other awards include  becoming the first-ever trombonist and jazz scholar-musician to win a Davidson Institute Fellowship for his portfolio, “The Rhythm of Free Expression: Honoring the Great Jazz Masters.” He was a 2014 National Young Arts Finalist where he was granted a Gold Award for Jazz Trombone, and was named a 2014 Presidential Scholar in the Arts. As Presidential Scholar, he cited Newark Academy Jazz Director Julius Tolentino as his most influential teacher. Coleman is currently a Philosophy major at Columbia University, where he blends jazz with hip hop in his ongoing musical journey. Here he performs “Isotope” and “Tin Tin Deo” during National YoungArts Week in Miami.

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“Birches in Snow” watercolors by 8th Grade Artists

These lovely watercolors, “Birch Trees in the Snow” were created in Spring 2017 by Ms. Brodie’s 8th grade art class, including Tiffany Agkpo, Jack Cleeve, Benjamin Cole, Erica Edman, Anant Gupta, Roshan Idnani, Julia Schwed and Alexandra Speck. They were displayed in the Middle School lobby.

by Erica Edman ’21

Continue reading

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“Sunny” fiction by Young Se Choi ’18

Photo by Lucas Franco
unsplash.com

This short story by Young Se Choi ’18 was selected by the Susquehanna University Annual High School Writing Contest and published in their literary magazine, THE APPRENTICE WRITER, vol. 35, Fall 2017.

“Sunny” by Young Se Choi

Upper Eastside. Carnegie Hill. This was the New York City she had always dreamed of. Woody Allen’s New York City. Perfect for taking an afternoon stroll on an Autumn afternoon New York City. Sinatra’s glamorous New York City.

Not her New York City though. Hers was 40 minutes by bus along Astoria Boulevard in Flushing, Queens amongst the karaoke rooms, Korean barbecue restaurants and Soju dens. It was time to get back to reality now Sunny. Back to 143 E. 88th Street.139. 141. 143. Sunny faced the lovely brownstone town house and checked her watch. 7:55 AM. Good timing as usual. She walked up the stairs and rang the bell. A few minutes stretched out, almost on the cusp of discomfort, when the door creaked open to reveal Mrs. Wells, a woman in her late thirties wearing a loose gray turtleneck and trumpet-like black pants that accentuated her long neck and legs respectively.

“You must be Sunny.”

“Yes, ma’am.”

Inside, a chandelier at the center of the room cast a warm light that rippled outwards. On each end, a spiraling staircase climbed up the walls like ivy. As Sunny tilted her head to look up, up, and up at the ceiling, she heard the sexy George Gershwin clarinet followed by the climax of horns and cymbals. This would be the only time in her life when reality far exceeded movie make believe. On the table, there was a series of family pictures in minimalist wooden frames. She couldn’t digest each one, but the black and white photo of a younger Mrs. Wells with a head full of hair Mr. Wells posing with their young son and infant daughter filled Sunny’s heart with an un-explainable romance. Continue reading

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“We Were Seven,” poetry by Mel Xiao ’18

Mel Xiao’s poem “We Were Seven” was selected as a winner of the 2017 Moving Words Contest, an international project that transforms written works into three-minute films. A unique collaboration among artists of prose, poetry, voice acting, and animation, Moving Words intersects the individual voices of American writers with the creative vision of animators in Israel.

https://youtu.be/KmM7G0oC_X8

Mel’s poem will be voice acted and recorded by Drew University theater students. Both the audio and written pieces will then be sent to Israel where art animation students will subsequently use the written and oral pieces to complete a short film combining all three art forms. Mel’s resulting film will be shown at a festival at Drew University’s Ehinger Center in September 2018. If you wish to submit to next year’s contest, submissions are due by June 30, 2018. Continue reading

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“Stars” fiction by Giulia Socolof ’19

photo by Casey Horner
unsplash.com

This story by Giulia Socolof earned a Scholastic Regional Gold Key in Fiction. Enjoy!

    Stars

 Johns Hopkins was a hectic and demanding place, so it was a miracle that Will and I met at all—it happened in the library one Sunday afternoon in April. He was struggling through his Calc II class, and when he looked over at my math notebook and saw I hardly even used numbers, he tapped me on the shoulder and asked for my help.

We grew closer, and soon began a tentative relationship, just testing the waters. But by the end of freshman year, in late May, Will and I were still casual, so I wondered if we’d fizzle out over summer. I lived outside Philadelphia, and he was from New York. In theory, the gap was bridgeable, but Google map it—the drive from my house to his apartment was two hours and thirteen minutes long, and driving alone sucks. The first week or so, we texted, about summer plans, about school, about our friends. But then he went away for two weeks, hiking the Colorado Rockies, with no wi-fi, no cell service, not even so much as a homing pigeon. I was interning at a lab that summer, and I poured my thoughts into that instead—yet I could never forget him completely.

Two weeks later, at 1:30 in the morning, my phone started blasting “Stayin’ Alive”. I picked up, not even bothering to check the caller ID.

“Hello?”

“Hey, Cat! I just landed,” came Will’s voice on the other end of the line. Continue reading

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Artwork by Lillian Wu ’20

Enjoy this beautiful artwork by Lillian Wu ’20.

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“Under the Sunset” poetry by Summer Peace ’19

Under the Sunset by Summer Peace

The sun sets over the water in my dreams.
Only in those dreams is the sky streaked with pinks
Purples and blues and cotton candy clouds.
The sand is soft under our toes,
The wind blows through our hair.
Our reflections in the water stare back at us,
Happier than we’ve looked in a long time.
Green sea turtles swim by, brushing at our ankles,
Allowing the cool currents to calm our calves.
Even as I am about to be knocked over by a wave,
You never let go of my hand,
Which only means you get knocked down too.
The water is still warm enough that neither of us mind
Our white clothes getting wet.
The palm trees sway behind us in the wind,
Brown coconuts line the shore.
I find myself unable to enjoy the sunset.
I’m too busy enjoying you.
The pinks and purples and blues of the sky
Cannot compare to the milky brown of your eyes.
The soft white sand doesn’t come close to your
Soft, pale skin.
The delicate hum of the wind that ruffles our hair
Is nothing like when your laughter tickles my ears.
Your reflection will never be as good as
Being able to see you in all your tangible beauty.
The world is incomparable to you.
With a clap of thunder, and a wet squish under my feet,
I am transported back to the muddy street.
Pretty colors fade into a grey and black existence,
An existence where you walk by,
And I stand on the other side of the street,
Staring, waiting for you to notice me.
You only ever look at me under the sunset.

Photo by Josh Adamski
unsplash.com

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Artwork by Kyra Hermans ’20

Enjoy this gorgeous hummingbird acrylic painting by Kyra Hermans ’20.

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Middle School Literary Magazine

Stolen Hearts

BY ANNIKA INAMPUDI ’21

Dearest Margaret,

When you read this, I will have transcended from this world onto the next. But I need to share my story with you, for you to share it with generations beyond your own. I wish to create a lasting impact on this world, to make small girls envious of our story, and to make little boys run away in disgust. It is my last wish. Please, go to my study and take the wooden box from the second shelf. Do not open it. Let me tell you our story first.

50 years ago, we were the best love story in the south of France: The elusive foreign girl and the local heartthrob. I was studying medicine in the local University, and his father owned a bakery on the pier. I remember our first ever meeting. I had gone to get a cake for my roommate’s birthday. I walked into the small beachside store, the faint jingle of the door indicating that someone had arrived. He was at the counter, idly pressing buttons on the old cash register. He noticed me and visibly brightened. When he looked up, the thing that most astounded me were his eyes. When you looked into them, the entire world seemed to stop and fall apart.

“Welcome to Avec d’Amour Pâtisserie, how may we help you?”

I forget what cake I chose, and even the name of my roommate whose birthday it was, but I still remember the exchange we had right after:

“Thank you for shopping-” he paused, posing a question.

I answered it. “Nina Voleur”

He smiled cautiously, traitorous dimples forming on his cheeks, before saying, “Is there a date that comes with this cake, Nina Voleur?”

I remember wanting to say no, because my mother had told me never to go out with strangers. But then I truly looked at him (truly looked) and said the fateful words that changed everything: “Yes, there is.”’

One thing led to another and it soon was a whirlwind romance. His name was Victor Rubare, and was everything I never had. I truly loved him. I was mesmerized by the miracle of him, from the curve of his lips to his startling blue eyes. I found myself spending more time at Avec D’Amour, each day growing longer as our love grew stronger.

There was a small thing that kept me up during the nights and occupied my mind during the days. I truly loved Victor– I loved the way he talked and walked and told me stories about the sea, although he’d never been there himself. It was fascinating, for I thought no one could ever love him as much as I. And then I realized that they could. Anyone could love him as much as I and maybe even more. Victor Rubare would never be mine until he couldn’t be anyone else’s. His face and soul and heart were displayed to the whole world, and anyone could take him away from me.

One day, whilst at Avec D’Amour, I watched an exchange between him and a customer. I saw his eyes linger on her even after she left the store. Perhaps it was a trick of mind, I had thought to myself. Has this happened before? Had I not noticed it? I needed to put an end to this.

I cornered him after work in the alleyway behind Avec L’Amour. No words, all silence. I watched him try to plead, try to tell me that it was okay. I don’t understand why. I assumed he wanted the same. He would finally be mine. Forever. I fingered the knife in my pocket. Sharp edges, stainless steel, a fierce beating in my heart. It seemed sinful to taint a knife so pure. Nevertheless, I started. Slowly I plunged the knife into his chest, three inches to the north of his heart, three inches to the south, three inches to the east, and three inches to the west. I watched the life drain from his eyes, the blue eyes I loved so very dearly. Carefully, precisely, I connected the dots that I made, peeling the skin away, I smiled, snapped the ribs, and took the heart out of his body, cut out the veins and arteries until all I had left was the heart, bright and red and beautiful– it was dead and alive at the same time, and I loved it. He had stolen my heart, and I had now stolen his. It is mine forever.

Now, my dearest Margaret, open the box.

 

Droplets

BY JULIA SCHWED ’21

Crisp
Drops
Bundles
Of golden
Beads, twinkling in the
Dark debris of the morning light

 

The Voodoo Man

BY SPENCER LOH ’21

A man,
Called himself the voodoo man
I found him,
In, an old aquarium
Sitting, on the porcelain floor
Which was Covered in dust
And he Whispered,
Hello
Moths and cobwebs
Filled the hall
The tanks had no fish

 

Hardened Sugar

BY TEAGAN HALES ’21

I can’t remember one last thing from my dream,
Though I would say it ended with a smile
That would be a lie, because it did seem
That even though happy, a.ll of the while
I was running, tripping, gasping for air
Losing all of my sleep, teeth, skin, pillows,
And the occasional – ratherly rare,
I would walk through billows, billows, billows
Of the wind, the air, clouds, cold, hard sugar
Through the neighborhood – and around the house
And through the yard of the old town slugger
All I wanted was to stay in the house
by the time that I wake up it’s as if
I had not just fallen off of the cliff

Continue reading

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Roy Kinzer, Artist-in-Residence

Artist Roy Kinzer is exhibiting a body of work at the David Teiger Gallery for Studio Arts at Newark Academy from September 22 – October 24, 2017. A reception at Newark Academy will be held on Thursday, October 5, 2017, from 5:30-7:00 pm. In addition to sharing his work with the Newark Academy Community, Mr. Kinzer has been chosen to be the 2017-18 Artist-in-Residence.

The exhibit, entitled Reservoirs of Possibility, features paintings of fractal landscapes and cityscapes derived from digitally altered topographical maps and satellite images. Upon first approach, the paintings offer striking impressions of aerial views of locations that seem to have atmospheric layers of color and pattern infused.  Moving in for a closer look, one discovers a myriad of subtleties and details that both sink back into the landscape and also rise to the surface. The use of collaged maps brings together abstract and representational shapes, and highlights the fractal patterns that surround us, both in nature and man-made.

Kinzer’s Artist Statement below explains how he works in the tradition of the Hudson River School Luminist painters, who used perspective, magnified scale and dramatic lighting to explore the sublime, the feeling of rapture or awe caused by the beauty and terror of nature.

Kinzer has been making and teaching art for more than 30 years. He has an extensive exhibition record and frequently completes commissions for art consultants, corporations and private collectors.  He is a past recipient of the prestigious Pollock-Krasner Artist Grant.  He holds a Certificate of Art from the Pennsylvania Academy of the Fine Arts and an MFA from Vermont College of Fine Arts.

While digital images do not do justice to this luminous work, below is sampling of the paintings currently on exhibit in the David Teiger Gallery for Studio Arts. View more of Kinzer’s work at RoyKinzer.com.

Roy KinzerCanoe Brook Reservoir (2017) acrylic and collaged map on aluminum, 48” x 56” is from one of my must recent series Eye of the Drone. With this series I position the viewer lower in the atmosphere. Unlike other series you are acutely aware of the horizon. You share the eye of the drone. Canoe Brook is directly behind Newark Academy.

Roy KinzerGlendale Avenue (2017) watercolor and collaged map on aluminum 40” x 48” is from my White Noise series. This references the early developments of “fractal geometry” and self-similar patterns that freely occur in nature. Other series of mine that visually refer to fractals are Fractal Sublime and Urban Self-Similarity.  This part of Glendale Avenue is located in downtown Livingston, NJ

Roy KinzerNorth Brother Island (2015) acrylic and collaged map on aluminum, 56” x 48” is from the Manhattan Project. This series are paintings all based on geographic areas around Manhattan. North Brother Island is located in the East River and has a very interesting history.

ROY KINZER ARTIST STATEMENT

My paintings are fractal landscapes and cityscapes derived from digitally altered topographical maps and satellite images. I work in the tradition of the Hudson River School Luminist painters, who used perspective, magnified scale and dramatic lighting to explore the Sublime, the feeling of rapture or awe caused by the beauty and terror of nature. I use Luminist techniques of color and solarization and apply the aesthetics of fractal patterns to simulate a view of earth as taken from a satellite. I believe combining formal and fractal elements creates a contemporary Sublime fitting to our digital society.

I have always been interested in the aesthetic patterns that occur freely in nature and I became aware of fractals and self-similarity through Dr. Richard Taylor’s articles describing Jackson Pollock’s paintings. This led me to “The Fractal Geometry of Nature” by Benoit Mandelbrot. Fractal sets have similar contours when focusing in or zooming out, so a grain of sand can appear to have the same outline as the coastline of a continent.

My work extends this to urban self-similar patterns and shapes that repeat across different scales. Each element holds the same properties as the larger system. Dense areas alternate with empty space. Small networks and clusters have the same outlines as city limits and borders. This feature also allows me to incorporate other elements that interest me, such as collaged maps, to bring together abstract and representational shapes.

I try to create a sense of isolation, fantasy and exaggeration by using an overhead perspective and by disrupting the cityscape with scratch marks, scrape marks and bleached-out light effects. These gestures tear into the repetitive fabric of the urban landscape and eat into the surface like atmospheric disturbances.

I work on many series that invite exploration. Aerial Landscapes; contemporary landscapes experienced through the eye of a satellite. Urban Self Similarity; repetitive patterns that occur in urban planning. White Noise; visual patterns that disrupt sound. The Biennale Series/Axis of Evil; cities that hold major art biennales. The Manhattan Project; areas of NYC infused with history. My process reflects these divergent interests.

Location; location; location, I start with the location. I alter and distort color and scale in Photoshop. Once I’m satisfied with the composition I print a digital image to work from.

The techniques I use are more associated with silkscreen printing which I have training in, than found in fine art. I apply masking tape to the surface of my substrate, which is aluminum composite panel that I prepare to accept acrylic paint or watercolor. I project the image, draw and cut each shape/color. I apply paint with a silkscreen squeegee, remove all the tape and repeat the process. This is done for every shape/color. On the average each painting gets 30 to 40 of these tapings. The finished painting is collaged with roads cut from Road Atlases.

My watercolors receive many layers of an archival spray to protect and free it from being behind glass. My acrylic paintings have multiple layers of acrylic Gels and Mediums and finished with a picture paintings varnish and hand rubbed out to a satin finish.

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“Letter to Brenda Hillman” by Olivia Mudrick ’20

This letter written by Olivia Mudrick ’20 to poet Brenda Hillman in response to her poem, “Autumn Ritual with Hate Turned Sideways” was selected by the Academy of American Poets for publication on Poets.org as part of the 2017 Dear Poet Project.

Dear Brenda Hillman,

After listening to your poem “Autumn Ritual with Hate Turned Sideways”, I’m torn on what to say. I feel odd trying to put my own spin on ‘what is the symbolism’ or trying to openly make some profound connection because anything that I could say would most likely fall short of your intent.

Every time that I listen to this poem, I finish with a different perspective on it than before. The only thing that has remained constant is the slow tempo of the words. The act of slowly, somewhat painfully, dragging hate down from a rope ladder keeps me on edge, waiting for something to happen. Though I sit listening to this poem, awaiting an eventual crash, I am left waiting. The poem gradually lowers itself as if climbing slowly and painfully down from that rope ladder. I am not even sure if the poem has ended yet, though the poets.org theme music has begun to play again and the screen fades. To me, there wasn’t an end to this poem, just as how there never seems to be a point when the hate rests. We know that it’s sick, we put it to bed to heal it, we think that this will help it. But hate is hate whether it’s sick or not. Though we try, we cannot erase hate, only deal with it. We have to bring it down from the rope ladder, raising other things in its place–positivity, hope. It’s the only way to finally allow hate the rest it deserves.

Maybe this theory is written between the lines and I just missed it, or maybe this isn’t what you were saying at all. Maybe these thoughts are specific to me–my own unique reactions to the words. Either way, thank you for sharing this poem and making me wonder: How can we stop hate?

Sincerely,
Olivia Mudrick

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Artwork by Rebecca Dunayev ’19

Enjoy this stunning artwork by Rebecca Dunayev ’19
created with oil pastels.

 

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Khalil Abdul-Malik’s ‘Federalist No. 86. Reparations for the Negro Slaves’ by Madison

Federalist No. 86. Reparations for the Negro Slaves by James Madison

by Khalil Abdul-Malik, faculty

To the People of the State of New York:

Earlier I stated in Federalist No. 54, that “the case of the slaves should be considered a peculiar one.” We had agreed that the negro slave would be regarded as “inhabitants, but as debased by servitude below the equal level of free inhabitants, which regards the SLAVE as divested of two fifths of the MAN”[i] My colleagues proposed this compromise because we felt it was the most just idea. In Federalist No. 54 I point out that the federal Constitution would view slaves in their truest character, which is “in the mixed character of persons and property” because that is how they are in fact viewed in the laws under which they live. [ii] But I also stated that if the laws were to restore the rights which have been taken away, the negroes could no longer be refused an equal share of representation with the other inhabitants” [iii]

But this begs the question: what shall be given to the slaves when the day comes that the laws do change and the rights of the slaves are restored? Will they truly be given an equal share of representation by the federal Constitution? And what will we owe the negro slave when he has been freed from bondage and a life of “mixed character”, humiliation, and degradation? For do we owe a reparation for acting in a derelict, murderous and rapacious manner towards another who now has the full rights of a citizen. The answer is yes!: they are owed reparations. The bible and our own great ancient philosophers, who have assisted in helping us shape this glorious Constitution mandate that reparations will be paid to the negro slaves when the laws change and their rights are restored.

As a slaveholder myself, I deeply understand the incredible wealth that slaves can generate for their owner. Depending on when you visit my plantation [Montpellier] in Virginia, you will see that I control the bodies and souls of hundreds of black negro slaves. These men, women and children are compelled to labor not for themselves but for me, their master. This compelled labor has made my family one of the wealthiest in Virginia. Yet, my slaves share no benefit from the immense wealth that their endless labor in the soil and in the shops on my plantation, brings to my family and I. And not only do I benefit financially from their labor. I also, benefit from knowing that as a free, landowning white man I have a sacred status in this Union’s caste system. This position alone could perpetually enrich my emotional wellbeing even if I were to lose my blessed land and all of my slaves. Continue reading

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“Smile” play by Kianni Keys ’19

“Smile” by Kianni Keys ’19 was one of two plays by Newark Academy students to win the 34th NJ Playwrights Festival annual high school contest. The other winner, “Trust No One,” by Gabrielle Poisson ’17 will appear on WAM later this fall. Both plays were staged by professional actors during the Playwrights Festival at the Mayo Performing Arts Center in Morristown on the 26th of June. In preparation for the performance, Kianni and Gabi worked closely with professional dramaturges, directors and actors from Writers Theatre of NJ. As a result of this accomplishment, Kianni and Gabi received Governor’s Awards in Arts Education at an award ceremony at the War Memorial Theatre in Trenton on May 24th and earned membership in the Dramatists Guild of America. Gabi previously won this contest in 2015 for her play “Worn Thin.” Enjoy this compelling work by Kianni Keys.

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“A Day in the Life of a Fool” by Cosimo Fabrizio ’18 & Alexis Romay

A Few Notes (pun-intended) by Alexis Romay (aka Profe)

“Over the years, I’ve listened to many versions of Luiz Bonfá’s “A Day in the Life of a Fool” —also known as “Manhã de Carnaval” and/or the theme/song from the Brazilian film Black Orpheus.

Aside from Bonfá’s original, my favorite versions of the song oscillate between the ones recorded by Stan Getz, Vince Guaraldi, Dexter Gordon, and Astrud Gilberto… Now I have to add to that musical constellation the solo performed by Cosimo Fabrizio, ’18, during one of our recent impromptu jamming sessions, in which he delivers one minute and ten seconds of pure enlightenment. (To make it even more extraordinary, I must add that Cosimo had never played the song before that day.)

Every time I sit down to play music with Cosimo, I witness someone performing at his peek, and someone who is growing musically as he plays. The ease with which he approaches any improvisation makes it seem like Cosimo practices as he performs, and viceversa. Give him a guitar and watch the embodiment of the growth mindset that educators like to encourage in their students and amongst themselves.

Jamming with Cosimo is a joy, a challenge, and even a distraction. Let’s face it: how am I supposed to concentrate on the music I have to play when I have him right next to me traveling up and down the guitar neck with such elegance and effortlessness?” ~ Alexis Romay

Author: Luiz Bonfá
Other titles: “Manhã de Carnaval,” “Black Orpheus”
Guitar: Cosimo Fabrizio (melody and solos)
Guitar: Alexis Romay

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“Dreams” fiction by Siddarth Tumu ’18

The following story by Siddarth Tumu ’18 won a 2017 Scholastic Gold Key Award. Enjoy!

Dreams

Jared Caputo

Photography by Jared Caputo ’17

Between the gentle rasps of my snores I heard a sharp metallic sound echoing from the depths of the hallway. As I cautiously awoke from my slumber to investigate, a sudden feeling of sheer dread hit me. I grabbed the pocketknife I keep on the bedside table as I crept across my room. I cracked my door open just enough to peer into the hallway. It occurred to me that I had no plan for actually dealing with an intruder. Choosing to ignore my better senses, I squeezed through the door and tiptoed down the hallway, furtively poking my head into each room I passed with mounting fright. A bright light suddenly shone on the back of my head. I turned around to see a well-built man about my height with a look of defiance and pure hatred in his eyes.

As I adjusted the blanket to fully cover me, my thoughts shifted to a mysterious cloaked figure. I was just able to discern two glaring eyes and a malicious smile. As the figure drew his hood back, I let out a scream of pure terror. Suddenly, his face dissolved into a nebulous array of shapes and colors.

The moment our eyes met seemed to draw out for an eternity. Sizing each other up, determining what the other was made of, looking for ways to best position ourselves. As he made a motion towards me, I was possessed by an overwhelming sense of rage, rage at how some intruder thought he could break into my house, steal my things, and hurt me. I lunged at him, driving him back into a wall. His heavy breathing surprised me, unbecoming of his apparent youth. Taking advantage of the instant of surprise, I grabbed my pocketknife and thrust it at him. Swiftly bringing his flashlight up, he deflected my knife but dropped the flashlight as he stumbled backwards. Darkness engulfed the hallway as the flashlight shattered into a thousand pieces.

I was walking down a brightly lit corridor lined with doors on either side. I looked into each room only to find it empty. Reaching the end of the hallway, I started to turn around and caught a hooded figure approaching me. As I turned to face the hooded figure, his body dissolved into an empty blackness.

Scuffling down the hallway, I tumbled into my own room. Dawn was approaching and the sun’s first rays glimmered over the horizon, faintly illuminating my room. He pushed me onto my bed, ready to strike the final blow. I glimpsed my pocketknife lying on the floor just beyond my reach. How it got there I did not know but I realized it was my only way to stay alive. With a newfound determination, I struck the intruder’s head. I quickly grabbed the knife. As quickly as he had fallen down, the intruder was up again, charging at me. Mustering every last ounce of strength and courage I had, I drove the pocketknife into his heart. Though I could not clearly see his face, I sensed the monumental surprise in his eyes and as he fell into my arms I gently lay him on the bed. My mind was numb as the magnitude of my actions dawned on me. A piece of me had died with the intruder, the joyful blissfulness of an innocent and carefree life. I collapsed onto the bed, next to the intruder, and allowed my aching muscles to succumb to a deep sleep.

I looked down the corridor again; the hooded figure was nowhere to be found. I entered and sat down at a desk. I found myself across from the hooded figure. He leaned forward, taunting me to reveal his identity. I reached over and pushed his hood back, revealing the bloodied face of none other than the intruder! A cold shock overwhelmed me and everything went black.

Somewhere in the back of my mind an alarm clock was ringing. Waking with a start, I glanced at the alarm clock. It read 5:30 a.m. I noticed that sweat was dripping down my face and my covers were damp. My muscles were tight and I felt an indescribable strain on my body, on my very existence. My mind was racing. Taking several deep breaths of relief, I realized that the ordeal had been nothing more than a nightmare. My hand touched the bed to feel something warm, sticky. I turned on the lamp and glanced at my bed—there his body lay in a growing pool of blood.

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“How to be the Center of Attention” fiction by Summer Peace ’19

“How To Be The Center of Attention” a short story by Summer Peace ’19

after Junot Diaz

Dance everywhere. In the hallways, on stage, in people’s heads. Make sure to bend over. In flat backs, sliding into splits, port de bra forward. Make girls want to be you. Make guys want to bang you. If a girl is bold, she’ll talk about you. If she’s real, she’ll talk to you. Respond to her questions of “why are you always dancing?” with equally bitchy questions of “why can’t you keep your legs closed?” Smile and walk away. A guy might talk about touching or even beg to cop a feel. Let them, but only if they’re cute and have that dimple in the right cheek you secretly rave about. Make the other girls jealous. They know who you are, but you’ll never really know any of them.

If people don’t see your face often, you lose them. Never lose your power. Always be everywhere. When you’re the first volunteer to make the announcement, or head the committee, or perform in front of the school, you are unforgettable. The sight of your face should bug him in the most precious way. Be the constant ringing in his ears, the buzzing in his head. When he closes his eyes at night, you should be the only thing he sees. The forgotten are remembered in the most unforgiving way.

The walk is everything you can’t say. Toe, ankle, heel, knee, hip: forever in that order. The girls will make fun of you, try to walk like you, make jokes. Laugh in return. The boys will trace every curve of your hips with each step down the hallway. With a quick flick of the ass, you’ll have them all drooling. You’re forever on the runway of judgmental eyes. Make them feel like you’re walking on clouds in their minds. Each click of your heels is the glass shard that pops the bubble of their fantasies. They only inflate again, anyways.

You have the choice of two different looks, but both of them should make people say wow. There’s the edgy badass look. Wear black pants, chokers, your hair curly, and tight fitting tops. Try and make yourself seem taboo. Everyone wants what they can’t have, so they have no choice but to talk about it. When he looks at you like you’re nothing but a piece of meat, you’ve already won. Then there’s the soft, delicate, and trendy look. Wear lots of pink, boots, and flowy tops. Don’t wing your eyeliner. Mascara is a must, but must be minimal. Girls will whisper about how innocent you look. Once they utter the word “cute,” you know you’ve stuck in their minds. Experimenting, they should call you, with glossed lips in a whisper.

Let rumors run wild. The more they say about you, the more infamous you become. Chuckle when you hear that one about you and some random junior in the ice room. Outright laugh when the cutie in Amex says how jealous he is of the guy you blew on the cross-country trail. The girls’ rumors will be better anyway. If she’s the sweet type, she’ll defend you because “you’re so pretty” and she would “do the same if she were you”. If she’s the jealous type, she’ll roll her eyes and call you a whore. The only one you should really care about is him. Let him think that you’re easy, open, and available. Can you really do a split during sex? The thought should dance across his mind until the primal urge takes over. You are dancing, walking sex. His mind is your stage; use it.

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“You Will Be Found” by Academy Voices

“Academy Voices share their gratitude towards Newark Academy’s Arts program for providing them a haven to be their true selves. Closing Act 1 of Concert Choir’s Cabaret, from Dear Evan Hansen — You Will Be Found — Arranged by Mr. Bender. Soloists: Zach Kessel ’18; Natalie Sonkin ’18; Amit Kundra ’19.” ~ Viraj Lal, Choral Director

*

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“Le dernier adagio” poetry by Amanda Cohen ’18

“Le dernier adagio”by Amanda Cohen ’18

After “Black Swan” the movie

her bleeding toes kiss open mouths
trapped beneath rotted floors
palms strangle white bars
in haunted mirrors

birds punch through knots of
oil and broken nails
that breed bruises on
sharp swords of bone

fur engulfs a crooked spine
snapped into her black leotard
of flushed skin and
feathers

torn dolls dance on thorny
wheels and spin into
pools of knives that slice
through beautiful bodies

a pale face cracks under
metal crowns and smoky
wings of dust that conceal
her currant eyes

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Chameleon Wins Honors at 2017 Essentially Ellington Competition

Jazz at Lincoln Center announced Newark Academy’s Jazz Band “Chameleon” directed by Julius Tolentino as the 4th Place/Honorable Mention winner of the 22nd Annual Essentially Ellington High School Jazz Band Competition & Festival, which took place at Frederick P. Rose Hall, home of Jazz at Lincoln Center. In addition, individual awards were earned by Reed Christmann, Cosimo Fabrizio, Alan Lin, Teddy McGraw, Shaan Pandiri, Charles Pan, Samantha Powell, and Allen Zhu. (See below for details). Mr. Tolentino says, “I couldn’t be prouder of Chameleon’s performance at the 2017 Essentially Ellington Festival. They placed fourth out of the top jazz programs in the nation and earned a Honorable Mention, as well as two Outstanding Section Awards and eight Soloist Awards. They represented our community on a national level with the highest level of musicianship and professionalism.” Enjoy these three excerpts from Chameleon’s spectacular performance!

INTO/JUMP FOR JOY

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“Shabu” poetry by Dean Tan ’18

Photograph by DANIEL BEREHULAK/NY Times

Dean Tan ’18 earned a Bronze Medal for Poetry in the New Jersey Council of Teachers of English statewide writing contest for high school students.  The award ceremony was held on Thursday, April 27 in Scotch Plains, N.J., where the winning poems were performed by trained orators. Enjoy this wonderful poem by Dean.

 

 

Shabu

1.
He would salute us, raise a tanned hand to the sweat of his brow,
A slight curl of the fingers, an easy lift of the elbow.
At daylight he waited outside the housing compound
In crisp uniform and cap, an ordinary guard, but our custodian of peace,
At ease but never slow, his familiar, close eyes,
The ready snap of arm into position. Vigilant, through the night,
Even as hungry mosquitoes feasted and jeering monkeys laughed.

Our conversation, silent – a brief nod, understood without language,
Words that spoke acknowledgement between us,
Yet no more than an exchange of glances, his eyes moving on
To the next face passing through the checkpoint
Days in and out, the same conversation.

But his attentive guard, cut short by a cowardly bullet,
A jealous neighbor, angry accusations of “dealing shabu”,
Delivering verdict without evidence,
The President’s voice echoing,
PUSHER AKO, the cardboard read, “I’m a pusher.”
That morning I conversed with no one.

2.
It was a day of humid heavy noise, the dogs
Yapping in the streets of Manila, crumbling churches,
The children, half-clothed, hopscotching between puddles and parents’ busy legs,
Throwing their chinelas – tattered bright pink, decorated with flowers
And princesses, smiles obscured by dirt and grime –
Cars honking, arguing with pedestrians flowing through dense lanes.

His wife and children, weaving between the cars,
His eldest, bags of peanuts slung across his shoulder, like belts of ammunition;
His daughter, knocking on tinted car windows, drivers looking straight ahead;
His wife, nursing an infant in one arm, a plastic cup in the other,
A single peso, enough to last another day.

He had been walking home early in the morning after his nightly shift,
His cap and uniform damp but still proud,
His eyes alert but starting to droop
Then, approached by a shadowy figure, angry and misdirected, ready to kill.

3.
Today I see a taller, leaner guard, younger, neater,
Blue uniform buttoned to the top, tucked inside the polished belt buckle,
The yellow words SECURITY blaringly bright,
Accompanied by anxious, quicker eyes
Fingers rigidly in line, elbow up and at a sharp angle
Shoulders square, back straight
Chin up, head forward to serve and protect.

I miss the conversation, now, only an awkward glance
And eyes dart back into a far removed distance, hesitant
To recognize, to remember- Did he know this older man?-
The trucks that rumble by, the faces that stare bleakly
At the dilapidated street, the rickety shacks of rusty metal,
Weathered posters of smiling congressmen and women,
Promising change, justice, law
To the barangay, the weary people, young families, newborn children

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“Transubstantiation” by James Blume ’19

James Blume ’19 earned a Bronze Medal for Poetry in the New Jersey Council of Teachers of English statewide writing contest for high school students.  The award ceremony was held on Thursday, April 27 in Scotch Plains, N.J., where the winning poems were performed by trained orators. James also won a 2017 Scholastic Silver Key for Poetry. His creative nonfiction has been published in the national print magazine, Teen Ink. Enjoy this wonderful poem.

“Transubstantiation” by James Blume ’19

If I removed my sandals
and walked barefoot on ground,
would my feet burn from radiation,
Or is this site sacred–
would I feel nothing?
An obelisk juts out of the dust, crudely
stacked with black stones and a bronze plaque
as if a cairn for thirsty wanderers.
It is all that remains in the duneless
mirage of a drying sea.
My father’s eyes are glass blown,
swirls of trapped blue like an ancient
water clock measuring a forgotten time.
I’d like to forget time.
To have known
him when he was younger.
He refused to eat
the stones that could become bread.
Stones were stones.
Bread was bread.
The same day my parents
married the Trinity Testing turned White Sand
into glass in the New Mexico desert.
The uprooted earth shattered into
isotopic shards of stainless glass,
which shimmered under an aimless light.
When he wed my mother in Trinity Church did he see
those still living of the land of the shadow of death?
As he laughed and toasted to bread and wine
did he hunger no more? Did he transubstantiate?

Or did the stones remain stones in his mouth?

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“Stripes Come Back” blues song by Steve Miller

Musician Steve Miller of the Maintenance Department calls this song the “rowdier, bluesier side of my solo thing.” The song, called “Stripes Come Back,” is played on a three string guitar with an extra singe pole pickup (made by John Nickel) for the bass parts. Foot percussion for bass drum and snare, with one overdub for slide guitar. Enjoy!

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Guatemala Photography by Caitlin Berkefeld

The following images were captured by NA Science Faculty member Caitlin Berkefeld on the Guatemala trip. She says she has “a soft spot for young children and dogs.” See evidence below!

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“Sweet Sorrow” poetry by Jamie Paradis ’20

Sweet Sorrow by Jamie Paradis ’20

Oops! My bad! Pardon me!
Sometimes I count, using all
Of my fingers, toes,
Exactly how many ways there are
To apologize.
I’m Sorry rolls off the tongue with its
Rounded vowels and-
Saying sorry is casual, cool, calm, cleansing
And it lets others know that we are good, we
Recognize mistakes.

It reeks of arrogance almost as much
As telling your junior your current income.
Did Wordsworth, Shakespeare,
Twain, Woolf, Hemingway,
Any of the greats, those who
Craved the strength of the tongue,
Apologize for loving someone?

Or saying no?
Or not knowing the answer?
Or imperfections?
Saying sorry shouldn’t sound so sweet.
The worst, though, is when you say
It again,
Twice,
The apologies piling up,

Suffocating in ingenuous guilt.

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Artwork by Charlie Bloom ’17

Senior Charlie Bloom used pastels, paints, pencil, charcoal and photography to create this stunning artwork in Advanced Art with Mr. Torson. Enjoy!

Heisenberg / Scratchboard

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“The Game” poetry by Betsy Zaubler ’17

“The Game” after Patricia Smith, by Betsy Zaubler ’17 earned a 2017 Scholastic Gold Key for Poetry. Betsy’s other writing accolades include Gold Keys in Flash Fiction and Scriptwriting, the NCTE Achievement Award for Superior Writing, Honorable Mention in the Princeton University Lewis Center for the Arts National 10-Minute Play Contest, and the Rider University High School Writing Contest. Her plays have been produced by the NJ Young Playwrights Festival, Studio Players Community Theatre, and the Theater Project. She won Newark Academy’s Poetry Out Loud recitation contest and earned a Governor’s Award in Arts Education. In addition, her work has been published in Cicada Magazine and the Writer’s Slate. Enjoy this wonderful poem.

The Game

Italicized excerpts are from the Kaplan “SAT Subject Test: Spanish” Prep Book, 2013-2014 edition.

You do have an advantage

Monopoly for the richest
players spewing out paper-cut crisp money,
glowing evergreen.
There is no bankruptcy here,
everyone wants to come out on top.

Read the questions

Or don’t. Mechanical students with
mechanical pencils already
know what’s at stake.
There may be an A but there’s no e or s or c or p or e

Relax and work efficiently – but not too quickly

There is no heart here.
Pull me apart like a decapitated Barbie
we sit headless and limbless, rows
of monsters filling schools to overflow.
I am fragile.

What’s a “Good” Score?

What did your best friend get?

Pace yourself

Do you understand?
Runners on your mark—
Begin.

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Digital Imaging by Jared Caputo ’17

This image was created by senior Jared Caputo in his Advanced Digital Imaging  independent study course with Ms. Dixler. Jared uses color, or lack of color, to create atmosphere by selecting a dominant hue and a range of black and white. He incorporates natural elements such as water, reflection and ambient light to create depth and enhance a look. In this image, Jared uses an anonymous figure silhouetted by a cloud of light to convey mood. Depending on the image, he might make two to a hundred net edits using Lightroom. Each edit can take hours as his discriminating eye searches for the right balance of elements.Jared Caputo.

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“Coloring Books” personal essay by Sanya Bery ’17

COLORING BOOKS, a personal essay by senior Sanya Bery is slated for publication in the Spring 2017 issue of the Blue Marble Review. Sanya’s short story, “12-16” is forthcoming in the Canvas Literary Journal. Enjoy this thoughtful reflection by Sanya.

In 2nd grade, I fiddled, cross-legged, as I listened to my teacher mumble about the beauty of books. “Reading is like giving vague instructions to your mind,” she whispered, “like a coloring book: you give your brain an outline and allow it to figure the rest out by itself.” I couldn’t help but let her enthusiasm enter me—it was wonderful, what our brain would think, what it was taught to think, with no instruction.

Soon, the bookshelves in my room overflowed with stories I could never forget. At night, I would pray to be those characters, trapped in the confines of pages, fighting evil. I could almost envision my blue eyes twinkling in the sunlight as my blonde hair flew behind me. My long, pale legs would pump faster and faster, leaving the villain in the dust. Maybe this vision of myself was my first mistake. Continue reading

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“The Sun, the Moon, the Stars” fiction by Unnathy Nellutla ’19

This story by sophomore Unnathy Nellutla won a 2017 Scholastic Gold Key for Fiction.

The Sun, The Moon, The Stars

I wish she could’ve been less like me, that might have made it easier, you know? She thinks I don’t care anymore, that it’s no big deal. Don’t forget you’re mine. She has this thing with her hair—blonde and brown but not dirty blonde, like it’s all blended together in one  inexplicably light and dark color—So yeah, I love her.

At least, I hope I do. If this isn’t love I don’t know what is. Well, I can’t think of an easier way to make myself crazy.

I’m carving on my desk in English class with scissors  trying not to stare at her sitting across from me.

From the beginning she was mine I knew because we did the same little math puzzles in our head when we were bored, because we were seven years old and I could see her eyes moving around in the spaces of the magic square, adding up the rows and columns  2 9 4

7 5 3

6 1 8 we looked at each other’s feet and matched steps when we walked side by side and for the first time I felt like I spoke the same language as someone else on this planet. Well, we knew back in those good old days that love was the fusing of pure minds– I guess hearts had nothing to do with it. Continue reading

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NA Orchestra Winter Concert 2017

The Newark Academy Winter Orchestra Concert, directed by Amy Larkey-Emelianoff, took place on Thursday, January 12, 2017 in the Dining Room and included Artist-in-Residence Amadi Azikiwe. Highlights were provided by senior soloists Matthew Melillo and Eric Jacobson. Enjoy listening to this stupendous performance.

https://youtu.be/K5akcqhtFdQ

Continue reading for program notes and information about the musicians and our Artist-in-Residence. Continue reading

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Prufrock Animation by Silvy Zhou ’20

Silvy Zhou ’21 created this fascinating animation on “The Love-Song of J. Alfred Prufrock” by T.S. Eliot for her 8th grade English class with Ms. Mahoney. Silvy used more than 1,300+ layers to create the gif.

According to Silvy: “This animation was created based off of  “The Love-Song of J. Alfred Prufrock” by T.S Eliot: a fairly pessimistic poem that mentions on the progression of time and the concept of aging. The main focus of this animation is on the line, “I have measured out my life with coffee spoons;”, which puts emphasis on the fact that the narrator has ‘measured out’ each day with brewing and sipping tea. The process seems enjoyable and lighthearted, but is very habitual and, in the narrator’s mind, insignificant. The narrator feels he has wasted his time on things of little significance. The steam from the teacup was inspired by the line, “The yellow fog that rubs its back upon the window panes”. The yellow fog is, again, something that seems beautiful, but it comes and goes, and serves little significance. I chose to animate the fog to mimic the action of a cat, because of the way the fog is personified in the poem: which mimics the agile nature of a cat. A few other details include the reflection in the tea, which shows an aging face, as well as the text on the bottom right corner. The text is taken from “anyone lived in a pretty how town”, by E. E. Cummings, and focuses on the progression of time as well. Continue reading

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“Stolen Hearts” by Annika Inampudi ’21

This epistolary story by Annika Inampudi ‘21, written as a bonus exercise for Ms. Mahoney’s English class, won a Scholastic Art & Writing National Gold Medal for Flash Fiction. Enjoy!

STOLEN HEARTS

Dearest Margaret,

When you read this, I will have transcended from this world onto the next. But I need to share my story with you, for you to share it with generations beyond your own. I wish to create a lasting impact on this world, to make small girls envious of our story, and to make little boys run away in disgust. It is my last wish. Please, go to my study and take the wooden box from the second shelf. Do not open it. Let me tell you our story first.

50 years ago, we were the best love story in the south of France: The elusive foreign girl and the local heartthrob. I was studying medicine in the local University, and his father owned a bakery on the pier. I remember our first ever meeting. I had gone to get a cake for my roommate’s birthday. I walked into the small beachside store, the faint jingle of the door indicating that someone had arrived. He was at the counter, idly pressing buttons on the old cash register. He noticed me and visibly brightened. When he looked up, the thing that most astounded me were his eyes. When you looked into them, the entire world seemed to stop and fall apart. Continue reading

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Fibonacci Contest 2017 Winners

Every year Newark Academy invites students, staff and faculty to submit entries to a Fibonacci Poetry Contest spearheaded by Dr. Ungaro, organized by Ms. Pursell, both of the Math Department, and judged by Dr. LaPadula of the English Department.

A “Fib” is a 6-line, 20-syllable poem with a line-by-line syllable count of: 1 – 1 – 2 – 3 – 5 – 8. Winning poems were chosen in seven categories. Enjoy!

Finest Fib by Giulia Socolof ’19

“Pyre”

Your
smoke
stumbles
sailing home.
I let what’s left slip
through slim fingers, onto scorched soil.

Finest Faculty Fib by Yvette Luxenberg

boy
squirms,
nausea
difficult,
but the reward is
greater than any on this earth

Strongest Fib by Talia Schraven ’20

Wit
wants
something.
A knave to
issue a new gauge
Because nobody can keep up.

Most Courageous Fib by Magnolia Wang ’19

Blurred
Soup
Irks me:
Alphabet
Jumbles nonsense words,
Drowning into lukewarm despair.

Funniest Fib by Aashna Parameshwar ’20

“Valentine’s Day”

I
made
you a
love letter.
In return you kiss
my best friend as a thank you note?

Happiest Fib by Makenzie Smith ’23

The
World
Around
Us dances,
Sings with life and laughs
For we are here to join the dance.

Fib of Beauty by Isabel McNeilly-Anta ’23

“I can see”
The
Strong
Beat echoes
Fire Sparks Fly
And I look at the
Dark full sky of bright scattered Stars

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Scholastic 2017 Silver Medal Story by Kiran Damodaran ’17

“Carnival Games” by Kiran Damodaran

Carnival Kiran Damodaran“James, you’ve spent more on this game than they spent on all these stuffed animals combined!” I pleaded, half-annoyed, half-amazed by his perseverance.

“Just one more game! Please baby, trust me I’ve got this.”

“That’s what you said the last eight times!” I snapped back.

“It’s rigged. You’re not going to—”

“Winner!” the speaker next to me boomed.

“What was that?” he teased, a smile creeping across his mouth.

I tried to look angry, but broke into laughter. He embraced me in a bear hug, his jacket zipper scratching against my ears and his chin resting on my head.

“So which one do you want?” the man behind the table interrupted.

James grinned, looking over at me.

“Which do you want?”

“The panda,” I replied, hugging him.

“The panda,” he repeated to the man behind the table while he pulled me into him.

As I sit in my room hugging that cheap panda (we named it Paul), it’s hard to remember the James from then – the one that held my clammy hand in 90-degree heat and wrapped me in his arms, cocooning my friends’ broken promises. That was the James I loved and knew. Continue reading

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Self-portrait in Pencil and Charcoal by Ashley Sun

“Reserve,” a self-portrait in pencil and charcoal by IB artist Ashley Sun ’18 earned a 2017 National Gold Medal for Drawing/Illustration from the Scholastic Art & Writing Awards.

 

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“Oblitus” poetry by Samantha Burggraf ’19

“Oblitus” by sophomore Samantha Burggraf won 2nd Place for Poetry in the Writer’s Conference annual contest and will be published in the online magazine The Writer’s Slate later this spring. Congratulations, Sam!

 

Oblitus

It is the same sorrow the Sun and Moon feel
When they miss each other,
As one rises and one falls.
The way the Oak tree longs for the leaves she loses
When autumn comes around.

To you all of my thoughts
Are just words
Disappearing into the world I capitulate them to.
And to me my words
Are everything I have,
Since the tide changed.

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“A Twist on Translation” poetry by Elliott Zorintsky ’18

“A Twist on Translation” by junior Elliott Zorintsky won 3rd Place for Poetry in the Writer’s Conference annual contest and will be published in the online magazine The Writer’s Slate later this spring. Congratulations, Elliot!

 

A Twist on Translation

Grasping my hand tightly,
warmth radiating from your fingertips-
you lead me along a trodden path.

Trees sway in the gentle breeze,
leaves shift aimlessly against the wind.
Aromas of wild flowers permeate our bodies like ghosts.
Still water,
shimmers beneath the golden glow of a setting sun.
You squeeze my hand even tighter,
and together-
together we stand like the silhouettes of a forgotten day.

We turn.
Trees fade,
green vanishes into an array of red
leaves that fall like ash from a dying fire.
Brisk air cuts through our hands,
and severs our aching hearts.

I look up.
Snowflakes land upon my tongue,
the bittersweet taste of youth.
Around me trees creak,
an eerie harmony in this dense cold.
Spinning around I feel the shadows of loneliness
seeping through my frozen bones.

I am alone.
Like lost footprints amidst white snow.

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Writer’s Bone Podcast Interview with Tess Callahan

On February 27, 2017 Daniel Ford of the Writer’s Bone podcast interviewed English Department faculty member and author of APRIL & OLIVER Tess Callahan James on process, craft, and how her new novel came to her like a fly ball. She also discussed what aspiring writers can glean from the way visual artists learn their craft.

Photo by Brendan Paul James ’14

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Watercolor by Christina Lu ’17

This beautiful watercolor painting by senior Christina Lu was inspired by her trip to Yellowstone National Park last summer. Enjoy!

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“Sudden Death” one-act play by Madeline Christmann ’18

Photo by Ben White/Unsplash.com

This play by junior Maddie Christmann, written in Creative Writing last year, was published in Fall 2016, Vol. 50 of The Claremont Review, a Canadian-based publication of poetry, short stories, short plays, art and interviews for and by writers and artists aged 13-19 from anywhere in the English-speaking world.

 

SUDDEN DEATH

CHARACTERS

DANIEL: frustrated, explosive
MIKEY: DANIEL’s best friend, captain of team, determined, optimistic
COACH: strict, intense, believing

TIME: 7:00 PM, start of overtime after regulation time, October

PLACE: sideline of high school football field

(As the lights come up, COACH stands, one hands propped on his hip, a clipboard clutched in the other, staring intently in front of him. There is a metal bench behind him, with a water jug propped on one of its ends with paper cups stacked next to it. The whistle blows and DANIEL stomps to coach from stage left.)

DANIEL
(Yells)
What the hell is happening out there? I can’t believe we let them come back like this.

COACH
(Annoyed)
Out there? What’s happening to you? You’re the wide receiver; you’re supposed to be fast! I haven’t seen you actually pick up your feet and run like you mean it once this game.

DANIEL
(Speaks at normal volume, but with an edge to his voice)
I’m not going to run if no one can pass it to me in the first place.

COACH
Mikey’s kicking ass out there. He’s picking up the team’s slack. Respect your captain. No one else is willing to work except for him.

(DANIEL scoffs. MIKEY enters from stage right, stops, fills a paper cup with water, and sloshes it down his throat. MIKEY strides to DANIEL and COACH and stops, breathing heavily and smiling.)

MIKEY
What’s up guys? Continue reading

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“Static Beauty” photography by Zak Schwarz-Ruso ’20 of dancer Jax Taylor ’20

This photograph of dancer Jacqueline (Jax) Taylor ’20 was taken by Zak Schwarz-Ruso ’20 on the High Line in New York City during a joint field trip between Advanced/IB Dance taught by Yvette Luxenberg and Digital Photography taught by Debby Dixler. According to Miss Lux, the collaboration is designed “to give photographers experience photographing bodies in motion with different light and backgrounds, and for the dancers to creatively interact with their environment and each other to create interesting lines, negative space, and still moments that can tell a story.” For both classes, the trip is a highlight of the semester.

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Senior Speech by Vanessa Gabb

A few months after graduating high school, I am walking out of South Hall, past Tisch Library at Tufts University in Somerville, Massachusetts. It’s the first full week of my freshman year of college, and I am on my way to English 1000, a class I haven’t been to yet. It’s early, we all had a pretty good time last night, so I’m a bit, hazy. Everything is fast then slow, as everything is when you move through it for the first time. People are passing me. Things are being spoken of. Random words echo: “City” and “phone call” and “parents”. I keep moving, up the hill, to East Hall, an old brick building that overlooks a lawn known as “The Green,” an expanse that makes me long for everything, makes me despair of everything. I am anxious. Will I be able to find the classroom easily? Did I miss a homework announcement? Will we have to do a corny ice-breaker game? Is my hair as frizzy as I think it is?

The professor comes in. I can’t remember if he is the one who brings it up first. Or if a student does. I just remember it was Tuesday, September 11, 2001.

Let me back up a bit.

Before there was this fifteen years ago almost to the day, there was senior year of high school. And I spent my senior year of high school, as I had the previous three years, at Poly Prep Country Day School in Brooklyn, NY. Poly, if you’re unfamiliar, is an independent college prep school, a cousin of NA, known primarily for its sprawling campus – 25 acres is quite hard to come by in the city – and its sports – a stellar football team (and unfortunately in recent years scandals associated with the football team) and a stellar basketball team – if you like basketball you might recognize the name Joakim Noah who’s about to play for the Knicks. Oh and big actress Meryl Streep famously gave the commencement address there back in 2004 as her daughters, who are now big actresses themselves, went there as well. Continue reading

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Pottery by “The Art of Raku Firing” 2016 June Term Class

Students in the 2016 “Art of Ceramic Raku Firing” June Term class created these beautiful pottery pieces. According to Ms. Brodie, who teaches the class, “Raku is an exciting process with its spontaneous immediacy and its delicate blend of control and experimentation. Students created hand built and thrown pieces using a special clay body and glazes. The work was heated in an outdoor kiln in a rapid firing cycle. The pieces were removed from the kiln as it reached a very high temperature with metal tongs. The hot pieces were then placed into combustible materials in order to alter and enhance the surface.”

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3-D Technical Drawings by Matt Lim ’17 & Drew Kesler

The 3d Printing and Technical Drawing course is the best June Term course, says Mr. Kesler. It focuses on using SketchUp and OpenSCAD on your laptop to produce 3 dimensional models suitable for printing. Well, Mr. Kesler says that *most* are suitable for printing . . . some just look cool and would be way too complicated to print. The course is a series of guided practice lessons, nightly homework assignments, independent projects, and small group projects, and it includes a fun and exciting trip to the “Grounds for Sculpture” indoor/outdoor museum in Hamilton. If you’ve never been there, this is your chance!

by Matthew Lim ’17

by Drew Kesler

 

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“The Bear” oil painting by Anne Capelli ’18

This stunning oil painting by junior Anne Capelli, created in Advanced Art taught by Jay Torson, was inspired by the work of artist Marion Rose.

 

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“Double Exposure” play by Joelle Gross ’17

This play by Joelle Gross ’18, written for the Page to Stage June Term course when she was a freshman, was a 2016 finalist in the New Jersey Young Playwrights Competition. Enjoy!

 DOUBLE EXPOSURE
by
Joelle Gross

CHARACTERS:

CATHY, 25, overly self-critical, ambitious

CATHY’S REFLECTION, ageless, the side of CATHY that is witty, opinionated, kind

MS. MURPHY, 53, uptight, ad agency executive

TIME: 2:36pm

PLACE: a women’s restroom in an office building

(As the lights come up, we find a very frustrated CATHY standing in front of the mirror and sink in the women’s restroom. She is angrily scrubbing a coffee stain out of her shirt with a paper towel. CATHY’S REFLECTION stands directly in front of her mirroring her motions exactly. They are dressed identically. Ideally Michael Jackson’s Man in the Mirror would be playing. After a few moments of scrubbing, the music fades. CATHY looks defeated and faces the mirror)

CATHY
UGHHH. This isn’t coming out!
(Ultimately giving up she throws the paper towel in the garbage)
That went okay. Right?

REFLECTION
Let’s just say Jennifer Lawrence tripping at the Oscars was more poised and graceful than that interview.

CATHY
(Trying to defend herself)
I think you may be exaggerating a little…

REFLECTION
Kim Kardashian’s nude selfies are more tasteful-

CATHY
(Cutting her off, more defensively)
Hey, wait a second-

REFLECTION
(Continuing her train of thought)
Anthony Weiner’s-

CATHY
(Cutting her off, urgently)
OKKKAYYY. We’re definitely done with that. Seriously though, it wasn’t that bad right? I was charming, professional. I came across fairly intelligent. I made her laugh. You know, with that joke?

REFLECTION
Which joke again? Remind me.

CATHY
Oh you know, she said something about the deal with Nike falling through and I was like, “Oh I guess you guys just couldn’t do it, huh?”
(laughs awkwardly to herself)

REFLECTION
(Realizing)
Oh yeah!
(Deadpans)
That was awful.

CATHY
(Throwing her hands up)
There goes another job interview! What’s that like five this month? And all the responses are-

BOTH
(Motions air quotes)
“We’ll be in touch” Continue reading

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“Walrus” film by Brendan James ’14

This 3-minute film by alumnus Brendan James ’14 was filmed for a class he took at Colorado College where he is a Film and New Media Studies major. Enjoy!

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“A Thought” poetry by Melody Xiao ’18

A Thought

After I die,
I will wander the world
the way I’ve always wanted to,
see the cherry blossoms in DC
and the broken ground of the Berlin Wall
and the barren earth of the DMZ
where the voices but not the souls of the others gone
linger.

And eventually
I will tire of the earthly things
that tower but do not speak.
Somehow I’ll find my way back home,
where I’m sure my grandmother will be waiting
sunlight warming the joints that no longer ache
watering her aloe plants
and a bowl of my favorite fried rice on the table.

Photo by Cristian Newman

Photo by Cristian Newman

This poem was published in the January 2017 issue of The Blue Marble Review. Mel has been writing poetry for about two years and has won a number of awards, including bronze in the NJCTE competition and a gold key in Scholastic Art and Writing. When not procrastinating and worrying about her upcoming exam, Mel reads, sings, and volunteers in and with her school (PS: her favorite ice cream flavor is Ben and Jerry’s “The Tonight Dough with Jimmy Fallon).

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“16 Minutes” personal essay by Betsy Zaubler ’17

Betsy Zaubler

Photo courtesy of Montclair Public Library

Newark Academy senior and Montclair resident Betsy Zaubler published this essay in the The Montclair Times in December 2016 in support of the Public Library. Betsy has received numerous awards for her writing, including the NJ Young Playwrights Competition, the National Council of Teachers of English Achievement Award for Superior Writing, a Governor’s award in Arts Education and an Honorable Mention in Princeton University’s Ten Minute Play contest. She wrote and directed a play produced by the Studio Players Community Theater in Montclair. Betsy’ prolific writing took root in her life as a reader.

16 Minutes was All it took for Young Reader

Sixteen minutes was all it took. As long as I read over 15 minutes each night, I earned a gold star, so 16 it was. But still, the time moved like rush hour traffic. I was not a natural reader. I read slowly, which frustrated me, especially when my friends finished books in half the time it took me. I was even more frustrated when they could read books that my fourth grade teacher suggested might be too hard.

But I was stubborn. I was determined to read, and do it well. I sat in front of my bookshelf, pulling out everything from Shel Silverstein to JK Rowling to Judy Blume. I waded through page after page, my finger guiding my eyes through worlds of wizards and potions, tweens and turmoil. What had once been a daunting task became easier with each book I read. I found girls like me who could be quiet and shy, yet brave and mischievous. I realized I could be cunning, and a little naive, like Peggy Ann McKay; outspoken like Hermione; resilient like Deenie. The more I saw myself in the characters I encountered, the more I wanted to read. I no longer counted the minutes I read, and when I ran out of books on my shelf, I went to the Montclair Public Library.

I learned to love the library by accident. I participated in the summer reading program, and while the prizes I earned for logging books were enticing, I don’t remember what I won. What I do remember is going to the library, scanning the shelves and finding just the right book. The one that would let my imagination dance in ballrooms of thoughts and ideas.

I found myself back in the library this summer for a very different purpose. As I worked on a research paper on American Girl dolls and the fashioning of girlhood, the reference librarians helped me track down articles from obscure journals, and I utilized inter-library loans to get books that were too expensive to buy or otherwise unavailable. While the library had always been a place of fantasy, it also became a valued academic resource.

At times, my mind would wander away from my research, and I would think about my great-grandmother, an immigrant from Lithuania. She couldn’t afford books. She would spend hours at her local library, and waited eagerly each month for St. Nicholas Magazine. She developed friendships with the librarians who fueled her love of reading, and the library was her community center.  It was a place where she saw women who could read (her own mother could not), a place where she could come in from the cold, a place where she met children from different backgrounds who came together in a common pursuit of reading.

My reasons for going to the library are different than my great-grandmother’s, but despite the 100 years that separate us, we share the same love for it.  The library gives me a place to sit with a book, to be transported into the worlds authors create, where I can become someone’s best friend, sister, enemy. Now, rather than putting down my book after 16 minutes, I crave 16 more. I don’t need a gold star, I don’t need a prize, just hand me a book and I’m already a winner.

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“Far Away in Another Town” by Steve Miller

Steve Miller of the Newark Academy Maintenance Department, musician, quipster, and insatiable ponderer of life, recorded for us a cover of Justin Townes Earle’s “Far Away in Another Town.” Enjoy!

 

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“Unzipped” sculpture by Quinn Butler ’19

This compelling ceramic sculpture “Unzipped” was made from earthenware clay by Quinn Butler ’19 in Advanced Ceramics taught by Ms. Brodie.

Quinn Butler

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“She sees / I see” poetry by Alena Zhang ’18

This poem by Alena Zhang ’18 was published in January/February 2017 issue of Cicada Magazine.

She sees / I see

water crawling beside
  a fresh spill of glitter lava
silhouettes of spotted embers
  glowing by the hands of the summer sun
trees painting a cowhide black and white
  darkness erupting to a light
sending a maelstrom of dragonflies
  jetting across the scorching stream
and my little sister hears
  but what I don’t feel is
that grumble of the gravel
  the earth beneath our feet shouting
and you’d think she would ask me
  “is this normal?”
but she still has time to learn
  because I’ve seen winters come and go
and make volcanic mistakes
  one too many times.

dragonfly

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“Butterflies” poetry by Kennedy McNeilly-Anta ’20

p8mrf0r4yuu-timo-vijn“Butterflies” by Kennedy McNeilly-Anta ’20

“On the fields of friendly strife are sown the seeds that on other days, on other fields will bear the fruits of victory.”  ~ Douglas MacArthur

Screen Shot 2017-01-04 at 1.45.23 PM

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“Doesn’t That Sound Lovely?” a play by Gabrielle Poisson ’17

Blank Theatre Gabrielle Poisson“Doesn’t That Sound Lovely?” a play written by Gabrielle Poisson ’17 during Newark Academy’s 2016 24-hour Play Writing Festival, won the Blank Theatre’s Young Playwrights Festival and was professionally produced in the Stella Adler Theatre in Los Angeles in June 2016. The play was one of 12 selected from over 200 submissions. Gabi spent two weeks in L.A. where she worked with renowned director Barbara Bain (one of the stars of the original 1960’s TV series, “Mission Impossible”) as well as a dramaturg and professional actors. Newark Academy’s IB Theatre/Advanced Acting teacher, Scott M. Jacoby, was in attendance and declared Gabi’s play the best among all the winners. Mr. Jacoby’s 24-hour play writing event is a biennial part of the IB Theatre/Advanced Acting course. Gabi previously won the NJ Young Playwrights Competition for her play, “Worn Thin.” You can read more about Gabi’s work in the North Jersey News. Brava, Gabi! Brava, Gabi!

DOESN’T THAT SOUND LOVELY
By Gabrielle Poisson

ADRIANNA, 27. Wife of MARCO. Mother of WENDY. She loves her family deeply, but she is desperate to fly.

MARCO, 27. Husband of ADRIANNA. Father of WENDY. He believes in a happily ever after.

WENDY, 8. Daughter of ADRIANNA and MARCO. An explorer. Impressionable.

(A single spotlight strikes the stage and shows us WENDY and ADRIANNA in a “tower”. WENDY wears a blue nightgown and coonskin cap on her head. She wears a little backpack. She is overflowing with a sense of adventure. Holding her hand, smiling and waving with elegance is ADRIANNA, who wears an elaborate kimono over what will later turn out to be a night shift. She wears a princess crown on her head. MARCO runs in from offstage wearing his boxers and socks pulled up high. He wears a plain white t-shirt with a billowing prince shirt over it. There is a crown on his head. Maybe he holds a sword. Maybe he is on a stick horse. We hear gallivanting music softly overhead. He is here to save the day and WENDY loves it. Whenever ADRIANNA and MARCO speak in “dream character” everything is melodramatic: a kid’s hero fantasy)

WENDY
Help us please! Someone! Heeeeeeellpppp!!
(Beat, whispering to ADRIANNA)
Call for help, Mommy.

ADRIANNA
Oh… sorry.
(Princess)
Please! We’re stuck in this tower!

WENDY
Look, your Royal Highness, it’s Prince Marco!
(MARCO glances around as if looking for the “tower”)
Psst, Daddy, up here!

MARCO
(Prince)
Princess Adrianna! And Wendy the Grand Adventurer! You’ve been captured, but I’m here to save you! But how will I get you down? Continue reading

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Junior Academy Voices Choral Consortium Performance

Newark Academy’s Junior Academy Voices, an auditioned ensemble made up of 6th, 7th, and 8th grade students, performed at the Choral Consortium at Oak Knoll School on Wednesday, November 16th, 2016. They were led by Choral Director Viraj Lal and Accompanist Jack Bender. Their first piece “The Road Not Taken” was arranged by Ruth Elaine Schram. Text by Robert Frost.

Their second song, “Follow the Drinkin’ Gourd” was arranged by Julie Gardner Bray and featured a solo by Haniya Cheema ’21.

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“Dangerous Habits” a villanelle by Francesca Badalamenti ’18

photo by Brad Helmink

photo by Brad Helmink

Dangerous Habits” a villanelle by Francesca Badalamenti ’18 was published in Fall 2016 Volume 50 of the Claremont Review. Established in 1992, the Claremont Review has published work by artists and writers aged 13-19  from all over the English-speaking world.  A villanelle is a 19-line poem of fixed form, written in tercets, usually five in number,  followed by a final quatrain, all being based on two rhymes. Francesca’s one-act play “The Corn Maze” won the NJ Young Playwrights Competition. Her poetry has appeared in Black Fox Literary Magazine and elsewhere.  Enjoy this compelling poem by Francesca.

Dangerous Habits: a Villanelle  by Francesca Badalamenti

I know now that people are creatures of habit,
which is why father never puts down his beer.
I just wish someone had told me earlier.

Our home has become a constant conflict,
and she asks him to quiet down so the neighbors don’t hear.
I know now that people are creatures of habit,

but he won’t stop because he’s an addict,
and she can’t help but shake when he comes near.
I just wish someone had told me earlier.

Because our relationship at the dinner table has become static,
as she asks him the tedious question about his day with an innocent “dear”.
I know now that people are creatures of habit,

and I can’t do anything to stop it.
They’ve put me on this road and I can’t steer.
I just wish someone had told me earlier.

Our house’s foundation is cracked and unbalanced,
that’s become pretty clear.
I know now that people are creatures of habit,
I just wish someone had told me earlier.

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Nonfiction by Stephanie Acquadro

nytlogo2Stephanie Nicholas Acquadro, a long time member of NA’s English Department, has an impressive history of civic engagement, including numerous Letters to the Editor and blog commentary in The New York Times. Her recent Letters to the Editor include “Where We Stand After the Debates” in response to “Mixing Humor With Scolding to Defuse Clashes in a Final Substantive Encounter” by Michael B. Grynbaum (10/20/16) and “A Stunning Failure of the Media and the Polls” in response to “News Media Again Misreads Complex Pulse of the Nation” by Jim Rutenberg (11/9/16). Her blog commentary includes a response to “The Life and Example of Gwen Ifill” by David Brooks (11/15/16) , where her comment was the number one “Readers Pick” as well as a top “New York Times Pick.” Enjoy this thoughtful commentary on the state of the American press by Ms. Acquadro.

“American as Apple Pie, Ice Cream & Newspapers” by Stephanie Acquadro

I just finished grading a batch of essays written by my twelfth grade Film Studies class, after we watched Mr. Smith Goes to Washington and All the President’s Men. The prompt for the essay provided the students with a definition of “patriot” and asked them to choose one of the films and argue which film more effectively depicted patriotism. Out of the twelve essays I received, eight of them analyzed All the President’s Men, most of which made the case that reporters Bob Woodward and Carl Bernstein were patriots because despite the odds, they fought a corrupt system, defended the First Amendment and wrote articles that led to the resignation of President Richard Nixon, which my students believe restored justice and respect for the office of the presidency. The papers reminded me of a bygone era when investigative reporters were superstars and most citizens believed in the integrity of the press. Continue reading

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New Architectural Drawings by Tyler Mudge ’18

Enjoy these impressive architectural drawings by Tyler Mudge ’18.
You can view some of Tyler’s previous architectural work here. Bravo, Tyler!

Tyler Mudge 1 * Continue reading

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The Joy of SET, a book by Rebecca Gordon & company

NA math teacher Rebecca Gordon has co-authored a book with Liz McMahon, Gary Gordon and Hannah Gordon: The Joy of SET: The Many Mathematical Dimensions of a Seemingly Simple Card Game.

Joy of SET Rebecca GordonHave you ever played the addictive card game SET? Have you ever wondered about the connections between games and mathematics? If the answer to either question is “yes,” then The Joy of SET is the book for you! The Joy of SET takes readers on a fascinating journey into this seemingly simple card game and reveals its surprisingly deep and diverse mathematical dimensions. Absolutely no mathematical background is necessary to enjoy this book–all you need is a sense of curiosity and adventure!

Originally invented in 1974 by Marsha Falco and officially released in 1991, SET has gained a widespread, loyal following. SET’s eighty-one cards consist of one, two, or three symbols of different shapes (diamond, oval, squiggle), shadings (solid, striped, open), and colors (green, purple, red). In order to win, players must identify “sets” of three cards for which each characteristic is the same–or different–on all the cards. SET’s strategic and unique design opens connections to a plethora of mathematical disciplines, including geometry, modular arithmetic, combinatorics, probability, linear algebra, and computer simulations. The Joy of SET looks at these areas as well as avenues for further mathematical exploration. As the authors show, the relationship between SET and mathematics runs in both directions–playing this game has generated new mathematics, and the math has led to new questions about the game itself.

The first book devoted to the mathematics of one of today’s most popular card games, The Joy of SET will entertain and enlighten the game enthusiast in all of us.

Enjoy the first chapter of this wonderful book below, and find the entire book here.

Screen Shot 2016-11-15 at 7.37.18 PM Continue reading

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Poetry by Chloe Kent ’17

LoboStudio Hamburg UnsplashChloe Kent wrote these poems in Oregon. She is actually allergic to flowers but thinks they are good subjects for poetry!

Plant Her

Plant her.
Let her roots grow low with petals high,
stamens drying in the sunlight,
scorching away my should have’s,
She’ll be’s, maybes and fantasies.

Put her worries straight to rest.
Pack them in with mulch and soil at the bottom of her bed.
And when heavy winds begin to tear the beauty from her head,
trust the rain that came, reviving her instead.
Leave me to my storms.
Even when you’re sure she’ll drown as water pounds along her stems.
And more, the force behind the sky trails tales of calm and clarity-
your eyes are seeds gazing up, reach above,
for clouds the colors of her flowered love.

Floral Thrills

Veins running from thorns
Or just for the thrill
Delicacy to the taste
Balanced upon a stem
Held there
In perfect pose
Rustling in the bush
Red hues
Of the highest
Pretty pinks too
Wondrous white
Leaves and imagination
To ponder
What a sight
Such a beauty
Nature proudest moment
Innocent simplicity if a rose.

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“Dancers” drawings by Ashley Sun ’18

Enjoy these fabulous gesture drawings of dancers by Ashley Sun.

Ashley Sun 1*Ashley Sun 2* Continue reading

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October 22, 2001, poetry by Ivy Bethea ’19

October 22, 2001 by Ivy Bethea
Erik Stine unsplash croppedYou watched the way my mouth opened
No sound came out
The way your cold
grasped my throat, choking my words
It was on that day tears streamed down
Your bony hand slightly hovered, not once actually touching my skin
Your body floated like a feather in the wind
Skimming the surface
Never once stopping to touch the ground
It was on that day you slightly swayed in the background
Waiting for you

I remember as I lay on the ground, and I saw your stare
You moved with such grace, and passion, stopping a second in between to pay your respects.
To show that even someone like you could care, even if it was only for a minute.
It was on that day the black floated from the sky, coating my body like second skin.
For a moment I saw your face. The one you tried way too hard to keep hidden.
Your beauty was hypnotizing, it numbed my entire body. Your eyes haunted me for days.
It mocked my existence and made light of my pain.
It was on this day I asked you, Why didn’t you leave me? You had no problem leaving her, so why me?
As children, we were taught that you were terrifying and selfish.
As adults, we were taught that you were inevitable
It was on that day I found out the truth about life
It was on the day after, I felt-
It was on today, I realized I missed you

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Photography by Asha Varma ’20

This photo by Asha Varma ’20 was taken as part of the Digital Photography class taught by Deborah Dixler. “This assignment was part of a project titled ‘Times of Your Life’, where a different picture was taken every 5 minutes over a span of 45 minutes to create a story about each photographer’s life. This image of the inside of my locker gives the viewer insight to my life and identity. The choice of the placement of the books and things hanging on the door of the locker was intentional and meant to create a balance.” ~ Asha Varma

Asha Varma

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“Happy Hour Starts at Nine” poetry by Spencer Wang ’19

Bart Anestin UnsplashThis poem by Spencer Wang ’19 was selected for publication by the Live Poets Society of New Jersey as a Topical Winner in their American High School Students “My World” edition. Congratulations, Spencer.

 

Happy Hour Starts at Nine

He spits on the lawn
Wishing that it spat back at him
Stomping out an unlit cigarette.

The church is open
It’s pews abandoned
His bottle sits alone.

He once believed in god.

He checks his pocket
Crumpled dollars
He checked his pocket
An empty wallet.

Spare some change
will you
for a man down on his luck?

God believed in him.

The dial tone
From a pay phone rings
He likes the sound
He just can’t seem to recall the number.

I did too

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“Searching for Ghosts” a Route 66 Journey by Steve Miller

Searching For Ghosts: Feral Tourist Exploring the Past on Route 66

Miller KS_2Introduction: Mr. Miller, blues musician and longtime member of the NA Maintenance Department, ventured on a week-long motorcycle exploration of historic Route 66, also known as ‘Will Rogers Highway,’ the ‘Main Street of America’ or the ‘Mother Road.’ Built in 1926, Route 66 served as a major path for those who migrated west, especially during the Dust Bowl of the 1930s. In 1985 the road was decommissioned and replaced by a new Highway Interstate System, causing many of its businesses to fall into ruin. Portions of the road have been designated a National Scenic Byway known as “Historic Route 66,” open to exploration by curious travelers such as Mr. Miller.

The Feral Tourist:

FTmainpic1There are places people go to get away from it all. So many places have just become tourist traps, based on the simple principle that America shops. They seem to become more generic and interchangeable as time goes on. Eventually, the only way to know where you are, will be the name on the tee shirt. This is not about those places. It’s about where people leave, where they come from. It’s about striking up a conversation in a local eatery, not about paying an entrance fee for the privilege to stand in a long line for overpriced coffee. Going feral is taking an unknown road on impulse. It’s finding the America that’s disappearing and the America that isn’t. It’s seeing the world from the seat of a motorcycle and not from inside the bubble of a car. It’s stopping when something catches your eye or your ear. It’s the cowboy heading west, looking for a place to hang his hat for the night, take his boots off. It’s the wolf staring curiously at the rustle in a stand of trees. Continue reading

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Drawing by Max Alter ’22

Enjoy this excellent charcoal drawing by 7th grader Max Alter, particularly the echo created by the elephant truck, the tea spout and the handle. Nice eye, Max!

Max Alter Tea Kettle

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Concert Choir Participates in “A Voice 4 Peace”

aVoice4Peace“Newark Academy’s Concert Choir participated in the #AVoice4Peace global initiative to connect choirs from around the world to sing ‘Ukuthula,’ a South African peace hymn for the 2016 United Nations International Day of Peace. We are very humbled to be a part of such a necessary and meaningful initiative. Sing for love. Sing for peace. Sing for change. Grateful to my professor at Florida State University, Kevin Fenton for his vision and his heartfelt efforts to bring upon change.”

~ Viraj Lal, Newark Academy Choral Director

The performance was directed by Viraj Lal and led by singer Melody Xiao ’18. “AVoice4Peace” is an initiative created by Bud Simpson and Kevin Fenton to spread peace through music. See the video below for a fuller description of this powerful and moving initiative.

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“Waiting at midnight” poetry by Elizabeth Hawk ’19

“Waiting at midnight for something, some…”   by Elizabeth Hawk

Brooke Campbell Unsplash.comWaiting
And listening at midnight
It’s almost silent
The only noises are that of the old house
It’s almost tomorrow
No one else is awake as you silently
Gaze outside onto the gently lit street

Anything could happen
Thoughts flow into your

Mind like clouds on a breezy day
It’s 11: 58 according to your alarm clock
Darkness surrounds you like a haze
Not true darkness but the
Gentle darkness that
Holds you at night
That holds while you fall asleep

Fright is not a hold of you
Only curiosity and
Refuge of the dark

Slight creak
Otherwise nothing at
Midnight
The
House
Is almost silent
Nothing moves nothing except the
Graceful movement of your feet sliding down the windowsill

,It’s 12:04 at night
Something moves
Outside
Materializing in the dark just out of sight in the corner of your
Eye like it always does at midnight…

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“The Jar” poetry by Anne Ruble ’17

Sylvia Plath

Sylvia Plath

This poem by Anne Ruble ’17 was published in the literary magazine Polyphony. Polyphony H.S. is an international student-run literary magazine for high-school writers. It was founded in 2004.

Anne Ruble Polyphony

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“Rhopalocera” photography by William Corprew ’20

Enjoy this photograph, “Rhopalocera (rōpə-läsərəl) – Butterfly” captured by William Corprew ’20.

2:10 I found a butterfly on the flower

 

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“Justified Violence?” Nonfiction by Benjamin Kany ’18

aia-sj gandhi-award Ben KanyThe following personal essay by Benjamin Kany ’18 was selected as a top winner of the 2016 Mahatma Gandhi Art and Writing Contest. The “Mahatma Gandhi Peace and Harmony Award,” sponsored by AIA-SJ, the Association of Indians in America South Jersey Chapter, is open to high school and middle school students throughout New Jersey. The goal of the award is to spread Mahatma Gandhi’s message of peace, racial and religious harmony, and tolerance for each other and for each other’s culture. This year’s contest theme was “when violence appears to do good, the good is only temporary; the evil it does is permanent.”

Justified Violence?

I was eight years old when I did something that scared me for the rest of my life. I was waiting for my best friend after recess and when he never caught up with me to go to lunch, I ran back to the hill where I had come from. What I saw affected me so personally that it caused me to act irrationally. I saw my best friend being bullied.

“Hey! What are you doing?” I yelled.

Mikey lay on the dirt ground, still. Richard kicked him twice, hard. I winced.

“Stop!” I yelled.

I took off running down the hill. Richard kicked Mikey in the side one more time. I stumbled. I knelt down next to Mikey and then looked at Richard, who was smiling.

I stood up in front of Richard and punched him in the face, hard. He fell to the ground. I looked at my hand. It was bleeding.

I still remember that day that day like it was yesterday. I had never punched anyone before. And I have not punched anyone since. Then why did I think in that moment that using violence was the necessary action to take? Was my violence justified? For that brief moment of time, using violence caused me to lose who I really was – who I really am.

Now, when I look at my right hand, my eye is drawn to the indentation between my pointer and middle finger, which, instead of reminding me of defense, reminds me of my irrationality and decision to use violence. Through this experience and throughout my life I have learned two important lessons about violence. The first: non-violence does not always work, and it may take time to achieve a desired result through non-violence. The second: violence never works.

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Award-winning Design by Lisa Fischer ’10

Designer Lisa Fischer was a Newark Academy student in the two-year Higher Level International Baccalaureate Visual Arts Program and received the Visual Arts Award in 2010, when she was also senior class president. Fischer earned an MA from Savannah College of Art and Design (SCAD) in June 2016 and will be honored with three student awards in the November/December 2016 issue of Applied Arts Magazine, which has recognized exemplary creative talent in the industry for more than 20 years.Lisa Fischer Designer 1Fischer’s goal as a designer is to create clear, useful and clever designs to enhance lives. Her holistic approach considers the entire system a design lives in, how people will interact with it, and how it will influence interactions between people. She created ORO as a graduate school branding project.

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Three Poems by Abbey Zhu ’18

Junior Abbey Zhu had three poems recently published in national print magazines. “Ground Zero” appeared in the Fall 2016, Volume 34 issue of The Apprentice Writer, Susquehanna University’s annual anthology of distinguished high school work. “Impediments” was published in the September/October 2016 issue of Cicada Magazine. “It Can’t Be: a Villanelle” was featured in the September 2016 pint issue of  Teen Ink. Enjoy these wonderful poems.

“Ground Zero” after “Departure” by Carolyn Forché

Christophe Morre UnsplashI leave it behind, the roar
of an airplane piercing the sky
echoing into nothingness, a cold
alienation as when land disappears
beneath me and the windows
brush the clouds, where the ghosts
of my past lurk and drift for
a visit. The person sitting
next to me has ear buds
in, and I want to ask
if ghosts listen to music
to hide from their realities
as much as I do mine.
Row after row of straight-
backed seats, luggage stowed
in the overhead, faces that
fade in and out of existence–
I will be a different person
when I land. Here is the soil
of your homeland,
the scent of your best friend’s detergent,
the last breath of goodbye
the only thing you’ll have left.
I am the one you will all
forget, shrinking and shriveling
into a wilted flower, the death
of something already gone. Continue reading

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Reflections by Peter Reed & Photography by Josh Charow ’16

Peter Reed, a member of Newark Academy’s Humanities Faculty, offers two reflections on the World Trade Center, one in prose and one in poetry. The photograph, “Apocalypse Now,” is by alum Josh Charow ’16.

“Sacrificing Before the Toe of Zeus–A Supplicant Before the Towers”

by Peter Reed,  December 2003

The World Trade Center cast more than a shadow. It cast the looming, sinister energy of an undeniable apparition, rooted in bedrock, moving like a symphony. It hummed the energy of an invisible city pent up behind massive, impenetrable facades. It hummed of vertigo. Or the blinding sunlight it reflected. The pain in the neck. The terrible realization of the sheer mass of thing. The mass impossibly soaring impossibly upward, gigantic. The inability to see the tops. Why did it feel so weighty? Why did it arouse the butterflies? It really was surreal. Like being outside of time. And maybe it was a good thing that the plaza was a world unto itself, closed off, clean and vacuous. Like an airport, emptied of travelers. Horrible weight, like cleaving magnets, attracting and repelling. The numinous incarnate. And that deafening, dull roar. Like a primordial whoosh from deep within the earth. Steel. And much broader than it looked from a distance. You wanted to wrap your arms around it but couldn’t as it cried out for embrace in desperate silence. The steel was not cold, but organic, living and breathing. It lived, animated by the sun, by Ra. There was no city there, just a black hole. The Empire State Building is on the street, right there on Fifth Avenue, in the thick of the fray. Hemmed in, revealing angles are scarce. Not so with the World Trade Center. That plaza allowed one to stare up, to enter into a trance with no fear for pedestrian traffic. You could enter the conversation with them, or at least listen in, contributing nothing but an ant-like presence. Like sacrificing before the toe of Zeus. Command its attention. Just try. Resist the urge to be swallowed up, consumed in shimmering steel. Those feelings poofed up in smoke, scattered up and down Flatbush like so many charred legal documents I proofread for Brown and Wood, flotsam never to be lived again. Only recalled, simulated, forged in a memory better suited to ideas than sensations. They belonged in that place, as devotion in a shrine. Now there’s just a hole. A mocking chasm. Like in Berlin Mitte. Try to walk away from the World Trade Center once it had you in its grasp. Like trying to walk away from the face of God. You must and yet you can’t. You want to and yet you don’t. Only a Herculean act of will and no looking back can break the spell. The neck usually gives out before the spirit. The act of will is no such thing, just a surrender to bodily pain, and then only after much resistance. Walk away in fear and trembling. Spooked yet strangely fortified. You’ve done it. You can do anything. Withdraw, purged and invincible as you just stared down. Iowa City is too small for catharsis.

"Apocalypse Now" by Josh Charow

“Apocalypse Now” by Josh Charow ’16

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Sculpture by Catherine Benoit ’17

Newark Academy senior Catherine Benoit’s inspiration to embrace natural beauty, in this case, natural hair, resulted in these compelling clay sculptures, which were exhibited in the McGraw Gallery in the spring of 2016.

Catherine Benoit Sleeping Heads copy

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from THE LADY OF CIVILIZATION, poetry by Vanessa Jimenez Gabb

Vanessa Gabb Images for Radical PoliticsEnglish Department faculty member Vanessa Jimenez Gabb is the author of Images for Radical Politics, which was the Editor’s Choice in the 2015 Rescue Press Black Box Poetry Prize contest and is forthcoming in November, 2016; and the chapbooks midnight blue (Porkbelly Press, 2015) and Weekend Poems (dancing girl press, 2014).

She received her MFA in Creative Writing – Poetry from CUNY Brooklyn College, where she was the recipient of the 2010 Himan Brown Award in Poetry. Her work has been featured in or is forthcoming in TimeOut New York, jubilat, Brooklyn Poets, VIDA Women in Literary Arts, Sixth FinchWord RiotThe Atlas Review, Big Lucksamong other places. She was the co-founder of the literary project, Five Quarterly. Enjoy this excerpt from her forthcoming collection.

from THE LADY OF CIVILIZATION

you brought to me
the word marriage
and I asked what that meant
if its history meant
I was unfree
how found could we be
I wanted you to know
I want to be
a woman
I wanted you to know
I have always been
preoccupied by this
though you were
not and so were we
doomed to know
each other well
enough to say goodbye?
or maybe
we came to know
nothing about each other
not even how
to say yes
just as I will
sense my own fear
with strange men
the way the world works
its terror so
that I will
know you
suddenly in them
the contradictions live
in us
in cellular form
I am not entirely
without
a place to live
yesterday I fed
our cats then lay
back in your bed
I imagined
falling asleep
if you had
found me
waiting to be discovered
because I want to be
discovered
look
I have told you far more
now than ever then
about passion
passion:
the first form of rapture
remembered
by the poets
of the Middle Ages
writing about knights
lying beside wives
of other men
it is a long way to this
I have
I am here
a winter
of me and me

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“Study on Hair” drawing by Nick He ’18

This beautiful drawing was rendered in compressed charcoal and white charcoal by Nick He ’18. Enjoy!

Nick He Braided Hair

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Performance Poetry Club Kaltenbacher Installation

Poetry can happen anywhere! During National Poetry Month, April 2016, the Performance Poetry Club invited students, faculty and staff to post spontaneous, anonymous poems on bulletin board displays outside Kaltenbacher Hall. The responses were honest, heartfelt, silly, cynical, hopeful and sleep deprived. Enjoy them all!

Screen Shot 2016-05-11 at 5.05.02 PM

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Artwork by Ms. Brodie’s Ceramics Class

Enjoy these playful and inventive works by students in Ms. Brodie’s Ceramics class.

by Kai Youngren '19

by Kai Youngren ’19

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“Clair de Lune” fiction by Joshua Martin ’16

photo by Tadas Mikuckis www.unsplash.com

photo by Tadas Mikuckis www.unsplash.com

The following story by alum Joshua Martin ’16 won Honorable Mention for Fiction in Rider University’s annual national High School Writing Contest, and is under consideration for publication in the Ride literary magazine, Venture.

Clair de Lune

If there were only one word to describe Shemar Prospect, people might say “genius,” “a natural” or—after his father, the late James Prospect—“prodigy.” But to me, one word wasn’t enough. Even when the world hated him for his sudden disappearance from the music scene, he remained my friend.

On his 17th birthday, I expected to go to his house to celebrate, but the buzz of my cellphone told me otherwise. “MEET ME AT MY FATHER’S OLD CONCERT HALL IN 1O MINS. GO TO THE BACK. –SHEMAR.”

Struck with curiosity and tempted by the hues of the autumn leaves in the evening sun, I started walking. Halfway to Prospect Hall, it dawned on me that Shemar had asked to meet in a place he’d been avoiding, a place I hadn’t seen for years. Memories filled my head and the strange warmth they carried turned my steady pace into a jog and then a full out run. I wanted to see if he’d finally returned. Continue reading

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“Odes to Summer” poetry by Creative Writing Class

“The Long Sun” by Mark Dempsey ‘16

MarkStuck in space like suspended amber,
we stare upwards at it, our torch in the night.
It sits in dispassion, content to scald.
Flax-colored over blue, pearly-lustrous through the clouds,
and bloody before setting,
awesome, in the original meaning of the word.

 

“An Ode to Summer Bugs” by Maggie DeNoon ‘16

MaggieAs you lay by the pool,
you’ll notice the Monarchs flitting towards the lavender bush.
The gnats swarm over an opened soda can that
drips with fat beads of condensation.
An ant carries a crumb of bread away from last night’s picnic.
And you sit back and watch the world move slowly around you.

But as I lay by the pool, I think about how
Bees.
I get the bumbles and the honeys,
they serve a purpose.
Yellow jackets need to leave.
And wasps?
No.
Wasps are horrendous.
And yes, I know that wasps aren’t technically bees, but it is the
Principle of the Matter. Wasps exist to mess with you,
to fly around and spread fear and pain.
So I sit back and, with narrowed eyes, watch the wasp move through the world.

“A Deli Romance” by Nick Wecal ‘17

NickAmong rolls of fresh bread,
chilled baloney and cheese,
(sweet smells of summer work)
my back against fridge’s stainless steel
she kissed me.

A jar of Hellman’s mayo,
shattered on the floor.
the crash ringing in my ears
over and over
forever.

The coldness of the metal like ice against my back
and the rising scent of spilt mayonnaise.

Customers rang the bell
on the counter outside
and wondered
about the poor service.

Ding.

 

“Ode to Humidity” by Betsy Zaubler ‘17

BetsyHow did I get so lucky to have my own personal beehive?
It’s not that I don’t like you,
but could you please stay straight? Just for a minute?
I wash you, condition you, treat you better than my best friend
and this is how you repay me?
Sometimes I wish I could just chop you right off,
but sadly, that would cause me more suffering than you.
I’d like to think we could call a truce
But for every good day, there are two more bad ones.
I’ve tried headbands, hats, ponytails, braids,
none of which you like very much
I’m so close to giving up on you
but when winter comes around,
I’d give anything to get out of the cold
and take you back.

 

“Dog Days” by Eva Lebovitz ‘18

EvaSummer is all tangled up and sticky this year,
warm and hearty and laying wreaths of overhumid light around our necks.
I think we look beautiful even when the sun
is so heavy we can’t breathe:
Right now, you’re breathless and the music is blaring.
And I’m newly sixteen and my pockets are overfull.
All afternoon, I’ve been collecting rays of light
spilling onto hardwood floors and the sound of chatter
pushing up through the walls.
It will never be like this again, and you will never smile the same way.
Your lips curl in on themselves like shuddering paper.
I want to breathe in the base parts of this place–
the rays of ultraviolet and the formaldehyde and the wet paint
moments away from drying–
and I want to keep them somewhere unbreakable;
somewhere in the space before the summer sun sets,
and the song becomes a reminder,
and you, a memory.

 

“Tiān Dēng” by Samantha Kany ‘18

We are on the way to the festival when you ask me how I’ve been
And I think stressed
But say fine and wring my hands
So you look at me but don’t ask again

It is late and I think of the work that still needs to be done before the day is over
And I remember that my brother needs a ride home at eleven
But I’m not even supposed to be driving that late
So you tell me not to worry and not to screw up

Come on, you say, just one lantern, it’s good luck
And I could really use some luck right now
But it’s cold out here
So you give me your sweater and pull me toward the flames

You get me a lantern bigger and heavier than I expected
And I have a stick with fire on the end, there’s no way this floats, I say
But soon the diaphanousness is filled with timid smoke and curling whispers
So I stare until my eyes well and I submit

You count to three real slowly
And I hear you
But I can’t listen
So I hold tight and leave your proem hanging

You put your hand on mine, One, to pry desperate fingers from fading heat
And two you mouth as I turn to grasping digits, which fall helplessly
But I am not helpless three, you say
So the lantern rips from my grip and floats into the night.

We watch the speckled sky until all we see is black.


“Ode to Summer” by Abbey Zhu ‘18

AbbeyThree cheers to summer heat crushing your body in a blanket of sweat,
cooled only by artificial conditioning attacking uncovered skin.
This metallic machine is your only source of escape,
because god forbid someone see you outside
in just a sports bra and shorts.

Three cheers to white sand beaches
pricking your feet with grains of fury–
home of the half-naked people fermenting in the sun,
demanding their skin turn a “healthy” bronze.

Long live Instagram posts of picturesque views
of the convoluted ocean slathered in filters.

Summer–
it’s just an extension of your own scathing glare.

 

“Popsicle sticks and Propaganda” by Katy Kim ‘18

KatyLick the dust from that old swizzle stick— the whisper whizzle of summer’s lick
through all those heady days our loose lips never did leak
(either bitter lemon pop or cherry kick you would always pick)
And all these secrets boxed in this cardboard fleet, to have and to hold
what we can never keep— Memories for sale: those homemade summer popsicles

 

“The Playground” by Alena Zhang ‘18

AlenaThe tree drips
orange wax
round balls of citrus perfume
onto a chalky canvas
already stained with
smears of earth’s green.
The swings fly high, high, higher until
blue denim and his friend red shirt
land with a four-foot thump that
fractures the finger-painted grass,
bursts the fruit canvas, and
sparks rainbow earthquakes
like fireworks that sizzle in the summer sun.

“Summer Poem” by Maddie Christmann ’18

MaddieSummer’s end slowly creeps onto them.

It starts by snaking around their bare feet
as they pad softly against the grass,
sliding in between their toes,
making them twist and trip and for
grass stains to splatter across their shorts.

It curls around their bellies,
making them clutch their cotton shirts
as their faces twist in agony,
and they regret littering their kitchen
with crinkled candy wrappers.

It seeps into their brain
and snickers as the wind whips
around their vision and cracks
the cocoon of summer.

 

“The Truth About Summer” by Maddy Mudrick ‘18

MaddyAlthough we love that there’s no school,
We love summer for more reasons than that.
We love that we have an endless amount of days,
The gentle kiss of the baking sun,
The sound of the ice cream truck rolling down our streets,
The fresh fruits that are finally in season,
The sweeping of the tide between our sand-filled toes,
The perfect glass of homemade lemonade,
The magenta and orange of the sky as the sun,
drips down the horizon like the
ice cream drips from our chins.
And when the sun goes down our eyes are lit
By tiny lightning bugs in the palms of our hands
And the brilliant explosions of fireworks overhead.
As the night fades into morning,
And the dew droplets sparkle like jewels,
We listen to adults say, “Happy there’s no school?”
And we smile at them and nod our heads,
But we have so much more to be grateful for.


“90˚F: a haiku” by Francesca Badalamenti ‘18

Francesca
To my dear classmates
as we near the end of the
school year: good riddance.

 

 

“The Heat of Construction” by Ben Leit ‘18

BenLeitBoom
Boom crash
Boom boom, boom boom boom, crash
Say hey
Did you hear that?
The pittery-pit-pat bwaah-wah-wah sound?
Boom!
Boom boom boom boom crash!
There it is
again
Why it happens eludes me
A hammer?
A drill?
A tuna fish sandwich?
The latter falls from the sky by the beige window
and the ladder follows the fish
Boom!
Crash crash crash crash
I cannot concentrate
Hot outside and cold inside
This shirt sticks to me
The ground above me shakes
Equipment is shot towards carpet
My pencil cup falls and my picture frame shatters
Skittle-dip, skittle-dip, skree-boo
CRASHBOOM!
Blackout.
silence.

 

“Summer” by Sarah Chang ‘18

SarahLanguor and nakedness,
August sunlight on wrinkled sheets,
luscious strawberry juice
and cold lemons harmonize.
Summer is rose-colored skies
and bare feet and damp skin,
glory on the mind.

 


‘Summer Ode” by Megan McCullough ‘18

Megan

photo by Megan McCullough

Chilling water licks sandy feet,
erasing a trail of footprints
from the children that used to drink the saltiness of the sea,
that washed away the red and blue remains
of a Spiderman popsicle
trickling down their chins and fingertips.
Piercing sun glimmers on the cloudy water,
tranquil crashing waves.
Summer breeze combs the tangled hair,
a memory that longs to be rewound,
of the little girl adding another
shell to the collection in her arms,
leaving a forgotten trail behind,
entranced in oblivion,
the world beyond the beach
that allows the remembrance of only the good times,
the ones where everyone was a child,
when the sun never set.

 

“Spring Into Summer” by Benjamin Kany ‘18

photo by Ben Kany

photo by Ben Kany

At school, the bell rings and everyone exhales
Books close, binders shut, and backpacks zip.
At home, everything is still –
Quiet and without stress.

I exhale,
Then inhale the smell of the warm summer air,
Then exhale again.
It is 3:00 pm.
The day is only just beginning.

I take off my backpack, relieving my shoulders.
I inhale, taking the moment in.
Late nights, warm air, and echoing laughter.
Today, life gets better.
And I exhale.


“Ode to Summer” by Young Se Choi ‘18

YoungSePrepare your bathing suits,
Prepare your sunscreen,
Prepare for long, hot nights,
Prepare for days in the sun
Prepare for the road trips with music blasted all the way on,
Prepare for the pool-side hangouts,
And prepare for the school-free months
Prepare for this summer

 

“Breathe” by Jennifer Huo ‘18

JenniferBohemian fabric flutters against her leg
as she stands at the edge of the
black-sand beach.
Her braided hair – each strand fastidiously
folded – ripples
down her back.
At the confrontation of land and water,
her toes dig into the dark sand
then come up for air,
water washing the remains of
broken shells off her pale, soft skin.
Wind, scented with salt and moss,
forces her away from the ocean,
but her toes push forward.
A step into the cloudy water
takes her away from the boy
who stopped calling back.
Another leads her away from the
croak of her mother’s
anger.
A third and her knees
submerge beneath the piercing
glacial water, toes unable to catch
the next breath of air.

 

Sanya Bery ’17

The end

Sanyawas funny because you prayed, teeth
clenched together, eyes shut,
for it to come.

Your hands are darker now, but eyes light
and wide. Your smile: fuller, gaps gone,
teeth free- as if you have it all figured out.
You haven’t worried
about numbers in a while, said
you let the hands of
the clock move at their own pace.

The end came for this too,
but when it did, you approached
slowly, (the color washed off
your skin, like roaring waves) wondering
if your burnt fingers
were strong enough to push the hands
back.

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“The Sound of Winter” fiction by Samantha Kany ’18

winter branch“The Sound of Winter” by Samantha Kany ’18 won 2nd place in the the Writers’ Slate annual writing contest sponsored by The Writing Conference, Inc.  The story was  published in the Spring 2016 edition of the online magazine.

 

The Sound of Winter

I used to know a girl, Sofia, who has since moved away from my neighborhood. I was thirteen when we met. Though today I welcome her voice interjecting itself into my thoughts, back then she represented one of my greatest fears. Sofia was nine years old and she had a golden retriever guide dog named Snowflake.

At thirteen, my anxiety had grown severe enough to require medication, which necessitated frequent trips to my psychiatrist, Ellen. She had kind eyes with crinkles around the edges that carved pathways to the sides of her face. She was a friend of my mother’s, and so not only did she give us a reduced rate on our frequent visits, but I also, looking back, am pretty sure that the patient-doctor confidentiality agreement didn’t apply to me. I had a phobia of the dark, and all of its potential implications, but it had usually been an easy fix—a nightlight on all the time and the door wide open. When Sofia moved onto my street, my anxiety became incapacitating. I had a horrific ability to empathize, and to project—both of which Ellen and I tried fervently to get under control—And even just seeing Sofia feel her way around with Snowflake guiding her was enough to send me into a panic attack. Continue reading

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“Aubade” flash fiction by Nick Wecal ’17

Photo by Abigail Thompson

Photo by Abigail Thompson

“Aubade” by Nick Wecal ’17

The elevator chirped as its doors slid open on the ninety-third floor. Langston stepped out into the hallway. He fingered the wool of his tie as he moved down the hall. Motion-activated lights clicked on in front of him, illuminating the floor in pieces as he walked the carpet. It was funny, he thought, how far away the corner office was from the heart of the building. What was the point of such a status symbol—which he knew his office was—if it lengthened his commute? He’d rather have one that required less of a hike, he joked to himself. Finally: JONATHAN LANGSTON, VICE PRESIDENT, EMERGING MARKETS, the smoked glass door proclaimed. Jon shivered a bit as he eased key into lock, and heard the familiar grating of the deadbolt.

With a nudge, the portal swung open to reveal the New York skyline. Langston had forgotten how beautiful it was when he came in this early; perhaps the walk from the elevators was worth it after all. Bright fall sunlight navigated gaps between tall buildings to shine onto the streets and sparkle on the river, beaming into Jon’s office to reflect off his polished wooden desk onto the ceiling tiles. He took off his jacket, folded it over a chair and pressed his moist hand to the window. Palm pushed against the hot glass, he could barely perceive a tiny vibration in the tower, perhaps the reverberations of some other lucky man mirroring his actions somewhere below him in an identical office. He studied the maze of streets below. Back in Jersey his wife and daughters were probably sitting down for breakfast—it was still early enough—but then the kids would be off to their fourth day of school. Tonight was his turn to deal with dinner, he remembered. Maybe he would get Chinese. Or sushi. Something Asian, either way. Jon peeled away his hand to leave an oily print, and sat down at the computer. Continue reading

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“Revolution” poetry by Sarah Chang ’18

cherimoya“Revolution” by Sarah Chang ’18
After “Revolution” by Blas Falconer

Cherimoya trees disperse at the edge
of ruta panamericana, clamor for shadow

under a whitewashed sky. They seem to stand
fierce and proud, filling the spaces

between the scrawling hand of revolutionaries behind them,
leaves heavy and strong. We slept

there, cold moonlight laced with cherimoya and fear.
Here we stand again, it seems,

years later, battalions of sickly sweet fruit dotting
the road, you in your worn-soft moccasins and bead-braided hair,

crooning battle cries and logistics, as if to live
something secretly special, unknown to the rest.

You stand to welcome winds from the east, to greet
at dawn in the hills, chestnut hair breezed to the side,

black eyes ablaze. I’ll stand with you
until there’s nothing left to forget.

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“Birds of a Feather,” mixed media sculpture by 8th Grade 3-D Art Students

The following mixed media “Birds of a Feather” sculptures were created by several of Ms. Brodie’s eighth grade 3D Art students: Sophia Emanuel ’20, Connor Epstein ’20, Julie Katz ’20, Jack Levene ’20, Aashna Parameshwar ’20, Neha Rodricks ’20, Luke Ruberti ’20 and Asha Varma ’20. There were several other beautiful birds by students in this class, but alas, they flew out of the display case before they could be photographed. Enjoy these colorful creations!

Asha Varma and Luke Ruberti

Bt Asha Varma & Luke Ruberti

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“A Sad Man Sitting in a Cafe” nonfiction by Matteo Moretti ’17

Six-degrees-8c“A Sad Man Sitting in a Café” by Matteo Moretti ’17

Just yesterday I was arguing with myself about whether the world is actually evolving or whether the universe is just returning to its natural rhythmic state of regeneration.

Okay, that made no sense.

Let me put it this way: Planet Earth has never been as small as it is now.

No, Earth is not physically shrinking… or is it? (I don’t know I’m not a geologist)

It shrunk metaphorically speaking – due to the quickening growth of physical and verbal communication.

Nobody ever acknowledges the fact that anyone on Earth, at my or anyone else’s will, can now learn in just a matter of seconds what I think, what I do, and who I am. And, apparently the only thing separating me and anyone else in the world is six connections. Just six. Imagine that, being connected to 7 billion people, by only 6 leaps of the imagination. Continue reading

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Architectural Drawings by Tyler Mudge ’18

Tyler Mudge 1“This is a modern home designed for Arizona. The long design reflects the long fields and the sloped roofs represent the plateaus and mountains that make up the horizon line of most Arizona views. Philip Johnson’s Glass House in Connecticut influences the design.”

Tyler Mudge 2“This is a more traditional home designed for Chatham Cape Cod in Massachusetts. The wooden wall shingling, and gambrel roof are staples of large Cape houses. The house also features a large patio that would open up to a backyard and beach.” ~ Tyler Mudge

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Poetry & Photography by Megan McCullough ’18

"Division" by Megan McCullough '18

“Division” by Megan McCullough ’18

The following poem by Megan McCullough ’18, written in Creative Writing class, was selected for publication by the national print magazine, Teen Ink, which has a circulation of half a million readers. The photograph, “Division,” if forthcoming in the print magazine Aerie International.

Shattering Ice

Crystal blue water lies beneath,
coated by a thin sheet of ice.

Faraway sounds
of wailing voices,
trapped under the glaze,
beg to escape.

I pinch my eyes closed.

Flashbacks of a little boy –
tear stricken,
his golden heart tainted as he falls,
cracking the ice.

Splintering wood pokes the toes
of the tinted blue feet
like an urging bayonet.

He takes a step.
I shiver.

The ledge is coming soon to rid of past scars
and we walk off,
shattering the ice,

then silence.

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