Trawlers: A Novel Excerpt by Mollie Wohlforth ’15

 

Fishing_Huts_and_Lobster_Traps_Prince_Edward_Island_CanadaThe following novel-in-progress was begun by Mollie Wohlforth ’15 during National Novel Writing Month (NaNoWriMo) in November 2013. Keep going, Mollie!

For the record, this isn’t a story where things get found. Some things just fall through the cracks never to surface again. And I’m not going to make something up just so this story might have a better ending, cause that’s not really how real life works. It’s messy, and you lose things.

CHAPTER 1

            We all live in Michiasport, Maine, right on the coast. There’s one main street that snakes its way up the hill from the harbor where everybody lives, and another that goes to the next hill, where the town is. Everything looks like it stepped right out of a Robert McCloskey book – the tiny school, the people who have known each other for generations, and the entire town that revolves around our main industry. Lobstering.

            Every lobstering family has at least one person up by three am who slips into their waders and boots and goes out to check on their pots, all while the rest of the town lays snug in their beds until the sun starts to rise. In families with teenagers, they are the ones who sacrifice their morning to scour the ocean floor for crustaceans before they go to school, in hopes of furthering their attempts to move out of this place. Our class has had the same 152 people since fetal development, so there’s really no way, or place to hide. Our high school is in an old, converted fish warehouse, ‘cause ten years ago some kids thought it would be fun to burn down the old school building, and the only standing structure large enough for the five hundred high school aged kids to move into was the old warehouse. The entire thing smells like old lobster shells and new paint, but we do have a view of the harbor through the window-covered eastern wall, which would be amazing, if I hadn’t seen it every day of my damn life. Luckily, I had Sylvia for sixteen glorious years of my life. She was my best friend, the kind who wiggles their way underneath your skin and into the very make up of your heart, and lives there forever.

            Sylvia lived two blocks away from me, and every morning at 3:35, she rang my doorbell and we walked five minutes down to the harbor together, our boots and waders slapping the pavement. We customized our waders as a way to dispel the darkness of 3:30 am that inevitably sullied one’s positivity. Sylvia’s were covered with jingling pins that always got stuck in her mouse brown hair; mine covered with swirls of colorful paint. We clamored through the misty darkness over the slippery docks that creaked and slapped the water with every footstep, our laughs and chatter punctuating the early morning calm. We checked all the lines, the oil, and the hauling equipment, fixed what needed fixing, and then started up our families’ boats, the Zephyr and the Magnolia. After however many tries the engines needed that day to turnover, we would help each other push off from the dock and I would putter out in Magnolia to our fishing ground, Sylvia in the Zephyr, right on my tail.

            Both of our fathers, friends since high school, fished in northwest finger of Larrabee Cove, which really meant that Sylvia and I fished in the northwest finger of Larrabee Cove. It was our place; nobody was ever there except us, and nobody was ever there to find us. I don’t think anybody even knew that the cove existed, as its opening was masked by a tiny spit of land that acted almost as a breakwater. When we were there, it was like we were lost to the real world, in a complete disconnect. When we got to the cove, we cut the engines, listening to their vibrations bounce across the rocky beaches to be absorbed by the wall of green pine that blanketed the entire Maine coast. Sylvia drifted over to her father’s orange and yellow buoys and I drifted over to our purple and magenta ones and started to haul.

            We pulled up the pots till our shoulders ached, and sometimes found them filled with glistening blue and orange bodies of clamoring lobsters, sometimes filled with disappointment and maybe a few taunting fragments of seaweed. As soon as the first pot of the day was up, gulls started to flutter around our boats, cackling, pooping, and swooping, trying to snatch up a lobster. Once a gull actually got one off of my deck, but Sylvia thought fast, and, sticking her fish net up in the air, snagged the utterly baffled bird. I’ve never laughed harder than at the sight of miniscule Sylvia trying to keep a handle on the net, which contained a gull flying up at full force in a panicked haze, practically taking Sylvia with it.

            During the summer, our days went on forever, and we lived in Larrabee Cove. We declared it our kingdom, and everyday, after the afternoon check was over, we spent hours upon hours doing absolutely nothing. Then, we would return to the real world, where we then spent the rest of our days living at each other’s houses, sewing the dresses we wore everyday, talking till our voices went numb, singing and painting together, running around in the woods that stretched out far behind the main road, having adventures in between the trees, wandering. Summers were made for adventures, Sylvia always said, so adventure onwards we did, breaking probably every rule and causing both of our mothers at least a dozen gray hairs every week. Every day was finished with a milkshake at the diner around the corner, where we recapped, and decided whose house we were sleeping at that night. Then we would do it again. Lobster, adventure, repeat.    

            However, September always loomed on the horizon, and with it brought the brutally early mornings we were all used to, but they were now followed by a day’s worth of classes. Around 7:15, the sun would start to rise over the pine trees of Larrabee Cove, staining the sky robin’s egg blue, which was our cue to start back. By that point, the rest of the older, childless lobster men would be out, gathering their own pots, and as Sylvia and I passed, giggling and chatting over the thrum of the engines, they laughed to themselves in that salty old manner sea-hardened men often have. “Sylvia and Phoebe give the gulls a run for their money,” they would say.

            When we returned to the harbor and unloaded all of the rubber-banded lobsters (Sylvia was the fastest bander in the state of Maine, she liked to say), we changed quickly and then walked to our standing 8:00am breakfast reservation at Pamela’s diner, where we grabbed the bagels and coffees that always stood waiting on the counter. With a smile and a “Good morning honeys” from Pamela herself, we trudged to the school building, and joined all of our other classmates in the rush for the locker rooms to shower off the fish scent and change into non-waterproof clothing. Our school was accustomed to this; they had special hooks in the showers to hang wet waders that by first period were as decorated with the various shades of brown and green rubber. However, our waders stuck out – not only were they decorated, I was also about a good six inches taller than every other girl in our school. Coupled with my fire engine red hair, Sylvia’s five foot one inch frame, and our odd style of home-made vintage and fishing boots, we were quite the pair walking down the hallway to first period. 

            Classes began at 8:35, and then Sylvia and I were parted for the next six hours, as we didn’t have a single class together. Sylvia was a math person, whereas I was staunchly allergic to numbers, which meant that I didn’t have anybody to talk too for the majority of my day. Sylvia and I had been friends for so long, it hadn’t even crossed my mind to talk to new people as other people grew their own cliques, so as everybody developed networks of friends and acquaintances as high school progressed, I had slowly become the quiet girl who sat at the back of the class, thinking of things to tell Sylvia later, when we would go out for the afternoon lobster runs. Those afternoon runs were our gossip session for all the dirt we gathered throughout the day. After the afternoon’s fishing was over, Sylvia walked me to my door and said, “Tomorrow, Red?”

            I replied, “What else would I do?” Sylvia chuckled each time, without fail, and walked away.

 

            Then, almost out of the blue, the police found Hannah Staedler’s body in a ditch on the side of the road. A junior, just like us, she had been raped and beaten to death. “This type of thing just doesn’t happen here,” everybody said, but as the story leaked out into the town, it became clear that yes, in this case, that type of thing did happen here. The entire town balked and practically shut down, crippled by grief, but it took a backburner in my mind as something started to change in Sylvia.

            I started to know something was wrong when she stopped chuckling, and I really knew something was wrong when she stopped calling me Red for my genetically confusing mass of naturally sanguine hair.  She started to come late to get me every morning, wearing her black waders, if she came at all. Some days she missed school, and our afternoon pot checks were silent as I worked, often alone. She would never laugh with me when she did show up, and she always seemed drained and tired. She ignored my calls. Then, she stopped going to school.

            I had at first passed it off as her being shaken up by Hannah’s death, but I couldn’t ignore that a week went by without me seeing her. Finally, I walked up the hill and rang the doorbell of her wooden, gray-shingled house that was consumed by the wildflower garden we planted in middle school. We considered ourselves old souls, with normal activities consisting of gardening, quilting together, vintage shopping, and making our own clothes, Sylvia painting and me reading, all usually to the soundtrack of me singing. Ever since Sylvia discovered that I had a “talent” (her word, not mine), she forced me to sing wherever we were. She always joked that Larrabee Cove gulls knew as many songs as the top forty radio, which was probably true, given the amount of time I had sung out there. There was just something about that place, maybe it was the wall of rock on either side, or maybe it was the trees pressed right up to the edge of the pebbly beach, but music echoed around the cove, surrounding you in first and second rounds of echoes. It was like singing to an opera house of trees with an audience of only Sylvia.

            Opening the door only a crack, her mother greeted me, subdued, face creased with worry.

            “Sylvia isn’t feeling well, honey,” Ms. Layman murmured, clearly trying to keep her voice lowered.

            “Can I just come in to see her for a minute?” I pleaded. Mrs. Layman’s face softened as she saw my genuine concern.

            “She hasn’t gotten out of bed today. Do you have any idea what could be wrong with her?” Now it was her turn to ask something of me. I could tell that she was just as baffled by her daughter as I was.

            “Nothing. Nobody’s saying anything about her at school, and she didn’t tell me anything.” I felt tears start to well up in my eyes. Sylvia tells me everything.

            “Phoebe honey, I’m very sorry, but I can’t let you see her like this. She’s lost a lot of weight; she’s really not doing well. Maybe try back later in the week or so, or I’ll call you if she asks for you, but right now really isn’t a good time. Sorry sweetheart.”

            Kindhearted Mrs. Layman shut the door in my face, and I started to cry. I stepped back through the flower-lined pathway and looked up at Sylvia’s purple curtains. They fluttered, as if she had just let them go, and I could have sworn that I saw her peering through the crack in between the pieces of fabric.

            I walked home, utterly confused and hurt. Why didn’t my best friend want to see me? What the hell was even going on with her? Was it something I did? Why wouldn’t she let me see her? What could be so bad that her own mother wouldn’t let me in the house?

 

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12 Responses to Trawlers: A Novel Excerpt by Mollie Wohlforth ’15

  1. aalford says:

    The world-building and character-building in this excerpt are first rate. The writing has a professional sheen.

    I don’t think I saw a single typographical error, either. Two nitpicks:
    (1) “lays snug in their bed” should probably be “lies snug in their beds”
    (2) a slight echo in the great description of the waders in the showers: the word “decorated”

    In a work this polished, I hesitate to even point them out. For example, nitpick (2) is nothing compared with the way the rest of the paragraph segues from (yet one more) great setting detail into a visual image of the two friends.

    But what really works for me is the way this story develops what Robert Boswell calls the “half-known world.” If you haven’t read that essay, I highly recommend it. Here’s what your story is doing right, in his words:

    “The illusion of people and place created by a story is the algebraic product of a writer’s art and a reader’s engagement…the writer must suggest a dimension to the fictional reality that escapes comprehension. The writer wishes to make his characters and their world known to the reader, and he simultaneously wishes to make them resonate with the unknown.” Boswell cites examples of works that DO NOT do this, works such as sitcoms and movies, which strive to show everything. As he goes on to say, “To make something fully known is to make it unreal.”

    The prologue is a pledge to create the kind of world that Boswell describes in his essay:
    “I’m not going to make something up just so this story might have a better ending, cause that’s not really how real life works.”

    “Trawlers” immerses me in a world I’ve never personally known, with an authoritative and likable voice. The story gets me into the routine of living there; gets me into the head of the narrator. But it also leaves “empty spaces” and questions to engage the reader, and that increase the depth of this world.

    The plot flows naturally, and in this realistic setting, the sense of depth increases for me with these “mysteries”:

    (1) Red’s change into the quiet girl at the back of the room
    (2) Hannah’s death
    (3) Sylvia’s withdrawal from the friendship, which coincides with Red’s increased need for friendship and Hannah’s death

    And let’s not forget plot point (0), from the opening, in which the narrator says, “I had Sylvia for sixteen glorious years of my life.” Ominous, in hindsight.

    Did you finish this novel??

  2. emerrigan16 says:

    I think this piece is excellent. You immediately establish the setting and immerse us into the story. You handle the mood skillfully as well. I loved the calm, blissful, carefree flow of the first half, with its emphasis on routine and simplicity. The line, “We clamored through the misty darkness over the slippery docks that creaked and slapped the water with every footstep, our laughs and chatter punctuating the early morning calm,” is one of my favorites. It’s so thorough when evoking the senses and the diction is flawless. I was so lost in the beauty of the setting, the introduction of the conflict was completely jarring. I thought that was very well done.

    My only criticism is that there is so much description (albeit very good description) and not enough action…or even dialogue. The story is not necessarily lacking in authenticity since you insert specific details here and there that convince the reader, but more dialogue would make the story and the actions of its characters have more impact. The sudden change in Phoebe and Sylvia’s relationship is so important, and could definitely be expanded on. I can’t want to see where this goes!

  3. rbitler says:

    Hi Mollie…

    I enjoyed this except very much – and it does a splendid job of setting up the town and the way of life, and the friendship between the two girls. It gives the reader the ‘feel’ of the place very well. Was most definitely drawn in. – – Couple of suggestions… There is more explanation and less action – and maybe more action could be added in, so that the explanation is more indirect. The change (after the atrocities) – sorta abrupt (exactly what many said about my exceprt!). Otherwise – found the piece to be intriguing and real. Am definitely looking forward to more. Mr. Bitler

  4. jmarcucci16 says:

    First off, this was really good. You introduced the reader to the characters really well (in fact I’d say that characterization was the strongest part of this story) with special mention to the narrator, who feels fantastically familiar. The setting feels real and vibrant due to your narration. However, as other people have mentioned, the plot feels a divided between the murdered girl and the friendship struggle. I actually saw no point of the murder in this chapter and I suggest you either focus a little more on it (if it’s important) or just eliminate it (if it’s not crucial to the main plot).

  5. zrollenhagen14 says:

    I love this piece. The narrator’s voice is really distinct and I can feel her pain even though this has only been one chapter. I also really loved your sharp phrases that were sprinkled throughout this piece. It attributed greatly to the characters’ voice. Amzing job!!! (Go NaNoWriMo!!!)

  6. chyman16 says:

    I REALLY love this piece so far, and I’m actually dying to know what happens. I think your writing is amazing and I love the way the narrators voice is really clear but you don’t miss out on chances to really prove yourself as a writer such as when you say, “She was my best friend, the kind who wiggles their way underneath your skin and into the very make up of your heart, and lives there forever.” This is such a beautiful sentence. I think that the way you set up the story is very fast paced, which isn’t a bad thing because it really drew me in as a reader. However, considering this is the beginning of the novel maybe you could start it off fast paced with the situation of the girl being found dead- and then in the next chapter proceed to describe the slow bittersweet life that the girl and her friend live. That way, you draw the reader in with the plot, but are also able to not have to rush into anything. I love it so far, and whether or not you decide to change that its really well written 🙂

  7. jwilloughby16 says:

    In the beginning, although I’m not sure this affects the story in any way, I thought the narrator was a boy. Perhaps, that was just my reading. However, I really like the piece. One comment, is that the transition from the description of the summer and relationship between the two girls to the body found was a bit too abrupt. The movement of the plot in itself was good, but you need let’s say another line to make some connection from the summer to what’s about to be revealed. Also, I feel that you could have highlighted the reactions of the town, the devastation and denial the people went through to highlight how rare of an event this was. Back tracking a little, I thought the backstory was well done. All the characterization and setting is great. Also, I would like to commend the author on all the jargon and trawler terminology used. Not sure of the background of the author, but to me, that was impressive. I like the suspense you end the chapter with, and my hope is now that you have already built the setting and character, you keep the tempo of the story up. I think if you go into more backstory it might drag a little. That is unless it is crucial to the story. As far as the ending, I think you can cut some of the questions out. The readers understand and empathize with the narrator. Also, the part where the narrator looks up at the window and swears she sees her best friend looking dow from the window is a cliche. Not sure if you could do something differently there. Overall, I thought the first chapter was really well done, and impressive, coming from a fellow student. Good job!!! Interested to see where the story moves from here.

  8. gskagerlind14 says:

    I agree wholeheartedly with Flannery’s comments. There were so many lines in here that I really loved, which I think showcase your unique ability to make Red’s voice sound young/naive/teenager-y but at the same time really mature and sarcastic sometimes. For example: “Our class has had the same 152 people since fetal development, so there’s really no way, or place to hide.” and “Sylvia was a math person, whereas I was staunchly allergic to numbers”.
    I also loved the parts where the writing seems more cinematic– for example, the paragraph that begins “Both our fathers…”. The use of language is elegant and calm, and I could definitely picture in my head the scene you were describing.
    The one suggestion I have is to try and make Hannah’s death seem more cinematic…I guess I want more details?
    You’ve done a great job of creating some suspense with Hannah’s death and the ending of this excerpt definitely leaves me wanting to know more– about what happened to both Hannah and Sylvia.

  9. lgupton15 says:

    Besides the great setting laid for the characters (who ever thought lobsters would be entertaining?) the diction and voice of Red really capture the reader from the first several paragraphs. Learning about the quirks of the characters and the situation they lived in was told straightforward, but without feeling like it was being recited from a character profile and I wanted to continue reading to find out what these individuals would get up to. I was definitely not expecting someone to be murdered and felt like their should have been some foreshadowing done to show that such an unexpected event would occur. Maybe, mention the ditch where they found the body when Sylvie and Red were running into the forest one day or mentioning that Red knew Hannah from one of her classes so that the reader could get some context. Overall, I think it’s going to be a great story.

  10. fjames14 says:

    Wow. This is amazing. The plot and setting are intriguing, and the characters feel very genuine. Phoebe’s voice sounds like a real teenager’s, and yet your writing is far above that of the typical young adult author (if you’ve read Sarah Dessen, you know what I mean). I think you’ve done a great job of juxtaposing Phoebe and Sylvia’s teenager-ness with their unusual jobs, and the lobstering definitely makes the story unique.

    The only suggestion I have so far is to fill out the part about Hannah’s death. I assume that it will be brought up again later, but I think you could add more about it in this section. It was hard for me to concentrate on Sylvia’s problems so soon after you introduced rape and murder into this peaceful, small-town scene.

    Anyway, good job! I can’t wait to read the rest.

  11. tjames says:

    Please offer helpful, positive feedback for the author. Consider the elements of fiction, such as characterization, plot, narration, setting, voice, diction, dialogue, description and patterns of imagery. Point out favorite lines and the aspects of the piece are working, as well as those that might deserve further development. Be kind and helpful. The writer appreciates your time.

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